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    October 10, 2007
  • Last review
    July 31, 2009
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prlwctd's Reviews
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The transfer for this Universal Studios fright feature has a few minor nicks here and there, but represents the several foggy set pieces in perfect fashion. The full-screen (standard) transfer has an aspect ratio of 1.33:1 and the audio track is in Dolby Digital 2.0 Mono. The commentary track is by Tom Weaver and, as with the track he provided for Creature From The Black Lagoon, it is full of humor and great background information on everything from the actors to comparisons between the original script and the final onscreen version. Included as a supplement is a half-hour documentary entitled "Monster by Moonlight," which is hosted by John Landis and includes interviews with makeup wizard Rick Baker and screenplay author Curt Siodmak. The "Wolf Man Archives" contains a six-and-a-half-minute slide show set to music featuring stills, posters, and lobby cards. There is a "Production Notes" section and a "Cast and Filmmakers" section that contains succinct bios and filmographies for the film's stars and director. A theatrical trailer is included; it's rough shape is a perfect contrast to the nearly flawless state of the main-feature transfer. The "Language Selections" include English, with captions for the hearing-impaired, and French subtitles. Yet another disc in the Universal Studios Classic Monster Collection that will give this particular monster something to howl about.
 
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5 out of 5
5
classic horror
on July 15, 2009
Posted by: prlwctd
Perhaps my favorite werewolf film. Lawrence Talbot (Lon Chaney, Jr.) reunites with his father (Claude Rains) in England after spending several years in America. Not long afterward, he befriends a beautiful jewelry store worker (Evelyn Ankers) with whom he goes out with one night. After their brief encounter with gypsies (Maria Ouspenskaya & Bela Lugosi), Talbot is attacked by a wolf.
If you have seen any other werewolf film, you probably know what happens next, but those 'cliches' started here. Chaney deservedly became a star with his instantly likeable performance (with great Jack Pierce makeup to go with it). There is also the terrific musical score by Frank Skinner, Hans Salter, and Charles Previn, which Universal would reuse in many other horror pics.
I would recommend this to a friend!
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Creature From the Black Lagoon was the last of Universal Pictures' franchise monsters. Drawn out of a treatment called "The Sea Monster," it started life as a rip-off of King Kong and evolved into a well-constructed story in its own right, yielding two sequels and attracting generations of fans. The movie had the distinction, along with its sequel Revenge of the Creature, of being shot in 3-D. Alas, Universal hasn't given us Creature From the Black Lagoon in 3-D, so it isn't quite as startling a viewing experience as it was intended, despite the high quality of the transfer. In fairness, this is the best 2-D transfer of the movie ever seen, and since one of the reasons for the movie holding its reputation for decades is that it was a great 2-D movie as well as a superb 3-D movie, it does work in this presentation. One would have to see it in a theater to appreciate the 3-D scenes of the creature floating underwater, seemingly in mid-air. The DVD's big bonus feature is Tom Weaver's narration on one alternate audio track. Weaver takes viewers through the movie almost shot-by-shot, even frame-by-frame in some spots, and seems to know the date and location of every shot (as many as a half-dozen in a single scene in some of the exterior sequences). He knows an astonishing amount about the behind-the-scenes personnel involved in the movie, and the backstory on just about every performer, as well as the involvement of everyone who came to work on it. His narration is extraordinary -- he rattles through personnel links between Creature, The Wizard of Oz, and The Monster of Piedras Blancas, and others between Creature and the 1940 Thief of Baghdad. He's able to tell about the ins and outs of playing the creature for the two actors who did that job (Ricou Browning underwater, Ben Chapman on land). In contrast to other commentators, who might focus on director Jack Arnold, Weaver gives credit to producer William Alland for much of the shape and content of the movie. Weaver talks very fast and over virtually every shot, a daunting task for him and for the listener; it takes about 25 minutes to get accustomed to his pacing, but he finally slows down ever so gradually, giving himself and the listener some necessary breathing room. One gets a sense that this narration was done live and on the fly, because he gets wrong Whit Bissell's major television credit of the 1960s -- The Time Tunnel -- referring instead to Land of the Giants; he also neglects to mention screenwriter Harry Essex's final exploitation of Creature's script (with which he actually had very little to do), in the guise of the cheesy 1971 rip-off Octaman (distinguished only by Rick Baker's monster design). The other major bonus feature, in addition to a brace of trailers and production stills, is a dazzling 40-minute documentary that covers a lot of the same territory embraced by the narration, but in a more leisurely and carefully delineated fashion. The surviving cast members turn up, including Ricou Browning, Ben Chapman, the lovely Julia Adams and, in the biggest surprise here, even Lori Nelson from the first sequel. Various historians go into recollections and some analysis, of which the latter is surprisingly profound and sophisticated. Anyone who thinks this is just a monster movie will realize quickly that this movie had a lot more to say about a lot of very serious subjects; serious analysis, however, is juxtaposed with memories such as Ricou Browning getting a chunk of the heel of his costume's foot getting bitten off by a turtle at Marineland during the shooting of Revenge of the Creature. The documentary is also something of a tribute to director Jack Arnold, and makes up for the slights against him in the narration. If this had been a laserdisc release, it would have been considered a bargain at 80 dollars. The 29.95 list price on the DVD makes it practically a gift, and it's recommended to anyone who has even a casual interest in this movie, in {horror} films in general, or in 1950s popular culture.
 
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5 out of 5
5
classic monster
on July 15, 2009
Posted by: prlwctd
The last of Universal's classic monsters &, along with House of Wax, the most beloved of the 3-D films from the 1950's.
A research team in the amazon discovers an unusual fossil. The team then goes missing after reporting this amazing find. A second team arrives and soon discovers what the fossil may have once looked like when they encounter the title creature-a monstrous looking man-fish (or Gill-Man, as audiences now refer to him) who can survive both on land and water, who shows his displeasure at intruders to his home.
Although the buildup to the creature's appearance may be slow, the tension and underwater photography makes up for it. The creature is a wonderful design (by Bud Westmore) which certainly paved the way for Alien & Predator. The musical score by Hans Salter is also first-rate.
I would recommend this to a friend!
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4 out of 5
4
great overall
on July 15, 2009
Posted by: prlwctd
James Cameron's expensive romantic drama (which has been compared to Gone With the Wind, although I liken it more to Dr. Zhivago) is great for the most part.
Carefree Jack (Leonardo DiCaprio) meets & falls in love with the depressed Rose (Kate Winslet) on the title ship, just as its embarking on its doomed maiden voyage. Their emerging romance is memorable thanks to the two stars. The rest of the cast is also great (especially Gloria Stuart as the older Rose), with the exception of Billy Zane who, as the abusive man Rose is being forced to marry, simply comes across as a cardboard villain.
My favorite parts of the film though are the fabulous shots (external & internal) of the famous ship, which has been wonderfully recreated by Peter Lamont, who also did the sets for Cameron's film Aliens as well as a number of the James Bond films.
I would recommend this to a friend!
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Sleepy Hollow, Tim Burton's evocative, somewhat grisly adaptation of the classic Washington Irving story, comes to DVD with one of the most lavish and fully realized presentations yet for a Burton film. Starting with a widescreen, anamorphic transfer and Dolby Digital 5.1 and Surround Audio, the disc also features extras like an engaging and informative commentary by Burton, cast and crew interviews, biographies/filmographies, a photo gallery, the theatrical trailers, and a "making of" featurette. The commentary and interviews are especially entertaining, revealing how much camaraderie Burton has with actors like Jeffrey Jones, Johnny Depp, and Christina Ricci. Though separate, more in-depth sections on how the film's special effects were achieved would have been nice, the featurette covers enough of Sleepy Hollow's behind-the-scenes work to make it worthwhile. Along with the DVDs of Edward Scissorhands and Pee-Wee's Big Adventure, this disc plays to the strengths of Burton's quirky, visually striking directorial style -- and also suggests that deluxe versions of Batman and Batman Returns will be even more impressive.
 
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5 out of 5
5
scary ghost story
on July 14, 2009
Posted by: prlwctd
My favorite film version of Washington Irving's story, even if it is radically different from it.
At the end of the 18th century, New York constable Ichabod Crane (Johnny Depp) is recruited to investigate murders in the town of Sleepy Hollow. The inhabitants believe the phantom known as the Headless Horseman is responsible but Crane, being a man of science, believes the murderer is human.
Depp is perfect in the lead and the relationship between Crane & Katrina Van Tassel (Christina Ricci) is surprisingly sweet.
Thankfully, the Headless Horseman is also perfect and scarier than in the Disney cartoon.
I would recommend this to a friend!
+1point
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Devil-may-care navy pilot Pete Mitchell (Tom Cruise) is sent to Miramar Naval Air Station for advanced training. Here he vies with Tom Kasansky (Val Kilmer) for the coveted "Top Gun" award. When not so occupied, Mitchell carries on a romance with civilian consultant Charlotte Blackwood (Kelly McGillis). Shaken up by the death of a friend, Mitchell loses the Top Gun honor to Kasansky. Worried that he may have lost his nerve, Mitchell is given a chance to redeem himself during a tense international crisis involving a crippled US vessel and a flock of predatory enemy planes. The story wasn't new in 1986, but Top Gun scored with audiences on the strength of its visuals, especially the vertigo-inducing aerial sequences. The film made more money than any other film in 1986 and even spawned a 1989 takeoff, Hot Shots. An Academy Award went to the Giogio Moroder-Tom Whitlock song "Take My Breath Away."
 
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3 out of 5
3
fun flick
on July 14, 2009
Posted by: prlwctd
The film which inspired many to join the Navy.
Tom Cruise is a maverick pilot who is trying to leave his mark while romancing his instructor (Kelly McGillis). The romance is lifeless, and the climax (involving U.S. & Soviet planes) has obviously dated the film.
On the plus side, Cruise & Anthony Edwards (as his sidekick) make a nice team, & I love that "Danger Zone" song.
I would recommend this to a friend!
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The Beguiled is a Freudian mood piece from the team of actor Clint Eastwood and director Don Siegel. Eastwood plays Corp. John McBurney, a wounded Union soldier during the Civil War, who takes refuge in a prim-and-proper Southern girl's school run by Martha Farnsworth (Geraldine Page). Chauvinistic, insensitive and conceited, McBurney takes full advantage of the women by bedding each successively -- and then learns the true meaning of "a woman scorned."
 
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4 out of 5
4
atypical but powerful
on July 14, 2009
Posted by: prlwctd
Just before starting his directing career with Play Misty for Me, Clint Eastwood starred in this surreal drama. He plays a wounded Union soldier trapped deep within Confederate lines who is discovered by the residents of an all-girls school, who carry him back to their homestead.
As he's nursed back to health, he eventually proceeds to proposition (& be propositioned by) some of the students (who aren't quite of legal age) as well as the sensitive school teacher (Elizabeth Hartman), and even the school's headmistress (Geraldine Page), who has a secret or two herself.
The drama which generates proves tragic for all parties involved.
This overlooked film, in a way, paved the way for future Eastwood films such as The Bridges of Madison County, Mystic River, & Million Dollar Baby.
I would recommend this to a friend!
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John Milius directs the 1975 costume adventure The Wind and the Lion, released on DVD for the first time on Warner Home Video. Presented with a widescreen color transfer and Dolby Digital 5.1 Surround Sound in English. Subtitles available in English, French, and Spanish. There are no special features, but this is a welcome DVD for an Academy Award-winning film.
 
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5 out of 5
5
classic
on July 14, 2009
Posted by: prlwctd
Based on true events, an American (Candice Bergen) & her 2 children are kidnapped in 1904 Morocco by members of the Berber tribe (led by Sean Connery, probably the only actor in history who could get away with playing an Arab with a Scottish accent), touching off an international incident.
The dialogue between Connery & Bergen is great, but the scene-stealer is Brian Keith, who is perfect casting as Teddy Roosevelt, whose 'big stick' policy settled the matter. John Huston is also wonderful as Roosevelt's aide.
I would recommend this to a friend!
+1point
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5 out of 5
5
great shocker
on July 14, 2009
Posted by: prlwctd
A wonderful adaptation from Stephen King's book. A woman (Dee Wallace) whose marriage is on the rocks takes her dying Pinto to the farm of a local mechanic (Ed Lauter). Once there, she & her son (Danny Pintauro) discover that the only one there is the mechanic's St. Bernard Cujo. They also quickly realize that Cujo, due to contracting rabies, has now become a merciless, vicious monster.
The scenes with mother & son trapped in their car in the dead of summer with an implacable beast just outside will put you on edge.
The performances are fine, but the scene stealer is Cujo himself. His transformation from the sweet, cuddly hound at the film's beginning to the exact opposite as the film progresses is both heartbreaking and amazing.
If any animal deserved an Oscar for acting, it's this one.
I would recommend this to a friend!
+2points
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3 out of 5
3
fun trash
on July 14, 2009
Posted by: prlwctd
The latest in the line of knockoffs from the overrated Fatal Attraction is trashy but fun.
Well-adjusted office manager Derek (Idris Elba), becomes the obsession of new office temp Lisa (Ali Larter); an obsession which puts his career, his wife (Beyonce Knowles), & their infant son in jeopardy.
There is no great acting here, per se, but Elba is more noble than Michael Douglas's Fatal Attraction character & the climatic scene involving the two leading ladies as well as a suggestive scene in which Lisa supposedly assaults Derek (it is as jolting as similar scenes in Deliverance & Boys Don't Cry?- HECK NO!) make this more a nice guilty pleasure than the other films of its ilk.
I would recommend this to a friend!
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4 out of 5
4
funny
on July 14, 2009
Posted by: prlwctd
This comedy has very funny & very absurd moments. Set in 1998, a small group of Star Wars fanatics decide to make a cross country trip to George Lucas's Skywaker Ranch to grab an advanced copy of The Phantom Menace for their pal (who's dying of cancer) to screen.
Along the way, they have misadventures involving trouble with the police & even fighting with Trekkies (the film misses a chance for some great pokes at Star Trek: Voyager, the worst of the Trek series).
Infamous Star Wars fanatic Kevin Smith has a memorable cameo, as do a few of the Star Wars players, and even a famous Star Trek captain.
One word of warning: Viewers not versed in Star Wars may not get the seemingly endless barrage of in-jokes.
I would recommend this to a friend!
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