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    October 10, 2007
  • Last review
    July 31, 2009
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prlwctd's Reviews
<< 1 2 3 4 5 ... 19 >>
 
Customer Rating
5 out of 5
5
important
on July 22, 2009
Posted by: prlwctd
This independent film all but destroyed Hollywood with its success when every studio tried to duplicate it.
Hippie best friends Billy & Wyatt (Peter Fonda & Dennis Hopper), whose disenchantment with society reflected that of cinemagoers at the time, take a motorcycle trip to the Mardi Gras. Along the way, they befriend alcoholic lawyer George (Jack Nicholson) who then accompanies them.
Needless to say, things don't go the way the trio planned.
The acting & music (which was basically a collection of late 1960's hits) are memorable, and the ending is surprisingly poignant.
I would recommend this to a friend!
0points
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Customer Rating
1 out of 5
1
unfunny
on July 21, 2009
Posted by: prlwctd
A beautiful but shrewish woman named Kate (Eva Longoria, or Eva Longoria Parker as she calls herself now) is killed on her wedding day in a freak accident involving the ice sculpture she just rejected.
After getting the cold shoulder from an angel she meets after death (you know you're trouble when even angels turn away from you), Kate returns to terra firma & realizes that the only one who can see & hear her is wannabe-psychic Ashley (Lake Bell) who has designs on Kate's fiancee Henry (Paul Rudd), a relationship Kate tries to sabotage.
Unlike Ghost, which was both funny & touching, this film is neither. A big reason for this being that Longoria isn't very sympathetic at all, although she isn't as annoying as Jason Biggs, who plays Ashley's roommate.
No, I would not recommend this to a friend.
0points
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Lycanthropes rejoice! Joe Dante's groundbreaking werewolf effort has finally received the special-edition treatment with this extensive MGM/UA release. Presented in 1.85:1 anamorphic widescreen, MGM/UA has done a commendable job in presenting the film. The transfer offers well-balanced colors, accurate skin tones, and, in frequent nighttime scenes, solid blacks with little to no digital artifacting. Likewise, a newly mastered, closed-captioned English Dolby Digital audio track brings the film to life as never before heard on home theater systems. Offering dynamic sound that will have nervous viewers peering over their shoulders in terror, the ominous howling of the colony's mysterious residents sounds as if it may be coming from somewhere a little to close for comfort outside viewer's windows. With as much work as MGM/UA has put into presenting a pristine image, it's the extras (located on the flip side of the disc) that will truly have longtime fans venturing into the light of the full moon to seek out this particular release. A commentary track featuring director Dante and stars Dee Wallace Stone, Christopher Stone, and Robert Picardo is lively and affectionately reminiscent, and in addition to humorous anecdotes, offers insight into the creative process and the manner in which the film was streamlined during the editing process. "Unleashing the Beast: The Making of The Howling" is broken up into numerous segments, and offers everything from revealing interviews with screenwriter John Sayles (discussing the film's departure from the novel and the psychology of werewolves) to the story of how director Dante came to be involved to study the origins of the werewolf mythos. The title of its companion piece, "Making a Monster Movie: Inside The Howling" may seem a bit misleading given that not very much making-of info is present, though interviews with Dante and star Patrick Macnee do offer some interesting meditations on the components of a truly effective horror film. An interview with make-up effects artist Rob Bottin is surprisingly brief considering the film's groundbreaking visual effects. Deleted scenes are mostly incidental with the exceptions of some group therapy scenes that would have lent the film a decidedly more psychological angle, and outtakes offer the usual cut-ups and flubbed lines in addition to some hilarious bladder-bursting makeup mishaps. A pair of nightmarish theatrical trailers are well-presented in widescreen format, and galleries of production and publicity photos offer an enticing glimpse behind the scenes and a close-up look at Bottin's impressive creations. A fun, fact-filled insert rounds out the disc nicely with some interesting trivia concerning the film.
 
Customer Rating
5 out of 5
5
great werewolf pic
on July 20, 2009
Posted by: prlwctd
Released the same year as An American Werewolf in London, this tongue-very-much-in-cheek werewolf film (many of the characters are named for people who directed werewolf movies) deals with news anchor Karen White (Dee Wallace) who goes to a mountain retreat (called simply "The Colony") with her husband (Christopher Stone) to recover from a recent trauma. Not long after arriving, she discovers that the inhabitants are werewolves. Unlike their cinematic brethern, though, these lycanthropes can change from wolf to human at will-& it doesn't take long for the sexiest of this group (Elizabeth Brooks) to convert Karen's hubby.
Joe Dante directs this the same flair and with a few of the same players as he did with Piranha.
I would recommend this to a friend!
0points
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John Carpenter's low-key science fiction drama Starman comes to DVD with a pair of images. The widescreen transfer preserves the original theatrical aspect ratio of 2.35:1 and is preferable to the standard full-frame 1.33:1 image. English, Spanish, and French soundtracks are rendered in Dolby Digital Stereo. Subtitles are accessible in all three of those languages as well. Supplemental materials are limited to theatrical trailers. The highlight of the film -- Jeff Bridges' performance -- works just as well on the small screen as it did in theaters. Considering the quality of the picture and sound and the affordable list price, this is not a bad DVD for the money.
 
Customer Rating
5 out of 5
5
Carpenter's last gem (so far)
on July 19, 2009
Posted by: prlwctd
The last great John Carpenter film (although he is still with us, so I guess I should remain optimistic). The title character is an alien who travels to Earth in response to Voyager II's invitation. Needless to say, the authorities don't exactly roll out the welcome wagon and shoot down his craft which crashes near the home of a grieving widow (Karen Allen). The visitor then proceeds to take the form of her late husband (Jeff Bridges) and all but forces her to accompany him to the rendezvous point where his people can pick him up or he'll die.
They are pursued by a sympathetic scientist (Charles Martin Smith) & a close-minded Pentagon official (Richard Jaeckel).
Bridges is fabulous in the lead & Allen matches him, plausibly going from fear to sympathy and then love (which is returned) toward her companion.
I would recommend this to a friend!
+2points
2of 2voted this as helpful.
 
Customer Rating
5 out of 5
5
wonderful drama
on July 18, 2009
Posted by: prlwctd
Clint Eastwood scored for the sixth straight time (following Mystic River, Million Dollar Baby, Flags of Our Fathers, Letters From Iwo Jima, and Changeling) with this wonderful drama about widowed war veteran Walt Kowalski (Eastwood) who, having cut off (& been cut off) by his two sons (Brian Haley & Brian Howe), is less than thrilled by the arrival of his new neighbors: a Hmong famly. This contempt increases when he catches one of them (Bee Vang) attempting to steal his prized possession: the title automobile.
The youth is disciplined by his family and he apologizes to Walt. This turns out to be the first step toward Walt overcoming his own bigotry and eventually embracing his new neighbors.
I would recommend this to a friend!
+2points
2of 2voted this as helpful.
 
Customer Rating
2 out of 5
2
disappointing
on July 17, 2009
Posted by: prlwctd
Kate Hudson & Anne Hathaway play lifelong best friends who, for some strange reason, decide to toss those years of devotion out the window when their wedding dates are accidentally placed on the same day and (again, for some strange reason) neither is inclined to change their date, let alone consider a double marriage.
The two leading ladies try their best, but the film's laughs are scarce to say the least. Hence, it doesn't hold a candle to Four Weddings & a Funeral.
No, I would not recommend this to a friend.
-1point
0of 1voted this as helpful.
 
Shot almost entirely on a two-and-a-half-story recreation of a full-size operating airport terminal, this romantic comedy from director Steven Spielberg revolves around an Eastern European man by the name of Viktor Navorski (Tom Hanks), whose plans of immigrating to New York were hastened by a violent coup in his home country. Unfortunately, Viktor finds himself on the wrong end of a nasty technicality while en route to America: His passport was issued from a country, which, during its upheaval, ceased to exist in an official capacity. Unauthorized to leave Kennedy Airport upon his arrival and unable to return home, Viktor finds himself exiled inside the terminal's international transit lounge. Though airport official Frank Dixon (Stanley Tucci) views Viktor as an annoying bureaucratic glitch, other airport employees -- including a beautiful flight attendant by the name of Amelia (Catherine Zeta-Jones) -- come to see him as a welcome, if unofficial, addition to their numbers. As the days stretch on into months, the terminal transforms from an intimidating atmosphere of forced assimilation into a country within itself, complete with culture, ambition, status, complex diversity, and the need for love. The supporting cast includes Diego Luna, Chi McBride, Kumar Pallana, Zoe Saldana, Eddie Jones, and Jude Ciccolella.
 
Customer Rating
4 out of 5
4
underrated comedic gem
on July 16, 2009
Posted by: prlwctd
This comedy is probably Steven Spielberg's most underrated film. Viktor Navorski (Tom Hanks), a native of the fictitious country Krakozhia, arrives at New York's JFK Airport. Once there, he's informed that, while he was en route, a coup occurred in his native land, which has rendered his passport useless. With nothing else to do and nowhere else to go until the bureaucratic red tape disappears, Viktor decides to basically 'set up shop' at the airport, where he makes a living by working odd jobs, eventually making friends out the employees, one of whom, an emotionally troubled stewardess (Catherine Zeta-Jones), he falls for. All of this slowly but surely gets on the nerves of the terminal director (Stanley Tucci).
Although not as sharp as Catch Me If You Can, there is still a great cast and some good laughs to make this enjoyable. The best part, however, is the eye-popping terminal itself, which ranks up there with the Overlook Hotel in The Shining as one of the all-time great movie sets.
I would recommend this to a friend!
+2points
2of 2voted this as helpful.
 
Customer Rating
4 out of 5
4
good
on July 15, 2009
Posted by: prlwctd
Sixteen years after Part II, Francis Ford Coppola & Mario Puzo gave us a third installment of history's most famous crime family. The results are great for the most part.
It's 1979 and Michael (Al Pacino, great as ever) has legitimized his family's business practices, but he is still consumed with guilt over his past sins, especially his murder of his brother Fredo (at the end of Part II). When emerging business with the Vatican reveals a plot to destroy his family, his nephew Vincent (Andy Garcia), with the constant urging of Michael's sister Connie (Talia Shire), arrives to keep his uncle and their family safe.
Like Alien 3, this film suffers when compared to what came before it (why, for instance, does Bridget Fonda's character just disappear so soon?). On its own, though, it is a masterful drama.
I would recommend this to a friend!
-1point
0of 1voted this as helpful.
 
Paul Verhoeven's controversial thriller Basic Instinct, the film that made an international star of female lead Sharon Stone, has been given many different DVD releases -- but this one is one of the best. The film itself is presented in a widescreen anamorphic transfer that preserves the original theatrical aspect ratio of 1.85:1. Closed-captioned English soundtracks are rendered in both Dolby Digital 5.1 and Dolby Digital Stereo. English, Spanish, and French subtitles are accessible. Supplemental materials include a commentary track recorded by noted feminist Camille Paglia, a featurette that compares the theatrical version of the film with the edited-for-television version, a making-of documentary, storyboards, trailers, and production notes.
 
Customer Rating
5 out of 5
5
guilty pleasure
on July 15, 2009
Posted by: prlwctd
This in-your-face thriller is probably the best guilty pleasure film ever made! A volatile police detective (Michael Douglas) becomes involved (to say the least) with a novelist (Sharon Stone) who's the number one suspect in the murder of her lover.
No, this is not as dramatically satisfying as other Paul Verhoeven works like Robocop and Total Recall, but the two leads give it plenty of energy.
If this film is trash, it's the most watchable trash there is.
I would recommend this to a friend!
0points
0of 0voted this as helpful.
 
House of Wax was the first 3-D feature to come from a major studio during the brief stereoscopic boom of the 1950s, and while this DVD features a stubbornly 2-D edition of the film, it still honors its source material well. This edition has been transferred to disc in its original full-frame aspect ratio of 1.33:1, and the audio has been mastered in Dolby Digital Mono. In addition to the original English-language sound track, the disc also includes an alternate version dubbed in Spanish, as well as optional subtitles in English, French, Japanese, Korean, Mandarin, Portuguese, Spanish, and Thai. And the disc includes a rather surprising bonus -- a complete version of The Mystery of the Wax Museum, a 1933 feature adapted from the same original story.
 
Customer Rating
5 out of 5
5
great Vincent Price flick
on July 15, 2009
Posted by: prlwctd
Of all the 3-D movies of the 1950's, only this one & Creature From the Black Lagoon are viewed with fondness today.
First & foremost, this film made a star of Vincent Price, who plays a waxwork creator whose life's work is destroyed by an arsonist. He then reemerges several years later with a new wax museum. This time, however, the figures turn out to be human beings he has murdered and covered in wax (his first victim naturally being the same man who destroyed his previous work).
Then-unknown Charles Bronson plays his aide Igor.
Like other 3-D films, this has some obvious for-the-camera shots (such as the paddleball man at the opening of the new wax museum). Still, it's a wonderful thrill ride.
Just avoid the dreadful remake (it has Paris Hilton, the original has Vincent Price; that should pretty much tell you the direction the quality has gone).
I would recommend this to a friend!
+1point
1of 1voted this as helpful.
 
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