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    October 10, 2007
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    July 31, 2009
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prlwctd's Reviews
1 2 3 4 5 ... 19 >>
 
Customer Rating
4 out of 5
4
routine but fun
on July 31, 2009
Posted by: prlwctd
The fifth (last?) Dirty Harry movie sees Harry tracking a killer of celebrities, all of whom had been placed on the title list in the possession of a number of suspects. The plot thickens when Harry's name appears on the list.
Then-unknowns Jim Carrey, Liam Nesson, & Patricia Clarkson have memorable appearances as an early victim, a suspect, & a reporter who becomes involved with Harry, respectively.
This is perhaps the most routine film of the series, but it's still watchable.
I would recommend this to a friend!
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Anthony Minghella's award-winning adaptation of Charles Frazier's Cold Mountain debuts on DVD with this excellent two-disc Collector's Edition from Miramax. The film itself is presented in a widescreen anamorphic transfer that preserves the original theatrical aspect ratio of 2.35:1. John Seale's first-rate cinematography comes through in every scene. English soundtracks are rendered in both Dolby Digital and DTS 5.1, and a French soundtrack has been recorded as well. English, Spanish, and French subtitles are accessible. Supplemental materials include a commentary track recorded by Minghella and editor Walter Murch. Although their comments are a tad dry, they are full of information about why they made the various artistic decisions that they did, and, as is to be expected, they are full of praise for every member of their admittedly excellent cast. Also included is a surprisingly entertaining 90-minute stage show that was performed at Royce Hall. The show consists of musicians Jack White and Alison Krauss performing songs from the film, readings from Frazier's novel by Brendan Gleeson and Kathy Baker, and readings from the script by Jude Law and Nicole Kidman. Minghella himself is interviewed also during the show. A pair of making-of featurettes and a comparison of the final film to the storyboards reveals how much forethought went into the making of the film. This is another quality release from Miramax.
 
Customer Rating
5 out of 5
5
great drama
on July 30, 2009
Posted by: prlwctd
This adaptation of Charles Frazier's book is, in some ways, an American version of Homer's The Odyssey. In North Carolina during the Civil War, wounded Confederate soldier Inman (Jude Law) begins a long, arduous journey to the title place to reunite with his love Ada (Nicole Kidman) who had been fending for herself following the death of her father (Donald Sutherland) until the arrival of tough drifter Ruby (Renee Zellweger) with whom Ada forges a lasting bond.
The performances and imagery of this film are both haunting & memorable.
I would recommend this to a friend!
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Presented in 1.85:1 anamorphic widescreen, Daylight looks about as good as DVD pictures are going to get. All the colors are even and bright with black levels solid. No imperfections of any kind are present during the film. This transfer looks beautiful and will please fans looking for the best possible way to watch Daylight. Audio is presented in Dolby Digital 5.1 and is also as well done as the transfer. This 5.1 audio track packs a very nice punch and sounds excellent. Speakers are utilized on all sides, with the bass low and rumbling. All effects, music, and dialogue sound perfectly even with no distortion present. Also included on this disc is a Dolby Digital 2.0 audio track in Spanish, as well as English captions and Spanish subtitles. Although Daylight may not be packed to the brim with extra features, it does include a good batch of supplemental materials. Featured on this disc is an audio commentary by director Rob Cohen that tends to be a bit dry but informative; an hour-long documentary ("The Making of Daylight"), featuring interviews with the cast and crew; a music video for the song "Wherever There Is Love" by Donna Summer and Bruce Roberts; a still gallery; and some theatrical trailers and teasers. While opinions may vary about the quality of the film itself, Daylight nonetheless proves to be a worthy DVD edition for action film fans.
 
Customer Rating
2 out of 5
2
routine
on July 29, 2009
Posted by: prlwctd
This standard action thriller stars Sylvester Stallone as a former medical services chief-turned-cabbie who impulsively goes back to his former profession after a mishap involving crooks causes an explosion to rip through a traffic-filled commuter tunnel beneath the Hudson River.
He then risks life and limb to get through the rubble and pull out any potential survivors before they run out of air. Despite some nice SFX work, the film is predictable with Stallone giving us the same schtick he's been giving us since Rambo. The survivors are also stereotypes (a dysfunctional family, a group of convicts, a dog, etc.), &, naturally, there's a potential love interest for our hero (Amy Brenneman).
No, I would not recommend this to a friend.
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Customer Rating
3 out of 5
3
passably amusing
on July 28, 2009
Posted by: prlwctd
This spoof of, you guessed it, superheroes, isn't a classic like The Incredibles, but it is better than Superhero Movie.
A nebbish (Justin Whalin) who is an aspiring superhero gets sent to a halfway house with other would-be caped crusaders, some of whom have powers but none of whom exactly come across as superheroic material. Nevertheless, he sees a chance to prove himself to his new friends when a crafty judge (Michael Rooker) sets his evil plans in motion.
Some appropriate casting, especially Adam West as a cabbie who was once 'ManBat,' makes up for the inevitable barrage of superhero & (of course) Star Wars jokes which constitute most of this film's attempts at humor.
I would recommend this to a friend!
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David Lynch's stylish, flawed Dune was a controversial movie upon release for many fans of the Frank Herbert novel from which it was adapted. By the time of this DVD release, the controversy had pretty much faded away, allowing Dune to be viewed as more of a campy, cult-classic sci-fi film. The picture and sound quality of the DVD transfer are both superb. The 2.35:1 widescreen presentation consistently impresses via the rich colors of Lynch's bold visuals, the stunning cinematography of Freddie Francis, and Carlo Rambaldi's bizarre creature effects. The Dolby Digital Sound is quite rich and always aurally interesting. Supplemental materials don't provide much of interest. The production notes could just as easily and successfully have been included in the liner notes for the DVD; they only amount to about ten paragraphs of straightforward information. The cast and filmmaker bios are standard biographical filmographies. The theatrical trailer is interesting, but its sound and video quality isn't up to the presentation quality of the movie itself. The liner notes claim the DVD includes a "Film Highlights" feature, but that feature doesn't seem to be accessible from any menu. It's possible the notes are actually referring to the "Chapter List" menu, which allows direct scene access. It should be noted that some fans prefer the longer, edited-for-television version of this production, though David Lynch disowned it in classic Alan Smithee fashion; that version is not included on this DVD edition. Dune still makes for a highly entertaining DVD, if one isn't expecting anything more than the movie itself.
 
Customer Rating
2 out of 5
2
looks great, less filling
on July 27, 2009
Posted by: prlwctd
David Lynch's adaptation of Frank Herbert's mammoth novel was touted as the next Star Wars (I should know, I read plenty of magazine articles in 1984 calling it such).
Sadly, the best parts of this film are the trailer and the music by Toto (they must be big Wizard of Oz fans). Herbert's story about Paul Atreides (Kyle MacLachlan) encountering plenty of enemies as he fulfills his destiny as the savior of the title world, becomes buried in the mind-blowing SFX and art direction; thus making it no better than the other Star Wars knockoffs.
I doubt anyone could have made a coherent film narrative out of a epic like Herbert's novel into just 2 1/2 hours (although longer versions are now on DVD). Imagine if Peter Jackson had crammed all 3 books of The Lord of the Rings into that length.
No, I would not recommend this to a friend.
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Customer Rating
1 out of 5
1
terrible
on July 26, 2009
Posted by: prlwctd
Yes, the makeup on Skeletor was cool. Yes, Monica Geller & Tom Paris made a cute couple. Yes, the guy who played Strickland in the Back to the Future films is always worth watching.
However, none of these good points disguises the fact that this film didn't do anything the cartoon didn't do better.
And where were Orko & Battle Cat, anyway?
No, I would not recommend this to a friend.
0points
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In 1964, with the Cuban Missile Crisis fresh in viewers' minds, the Cold War at its frostiest, and the hydrogen bomb relatively new and frightening, Stanley Kubrick dared to make a film about what could happen if the wrong person pushed the wrong button -- and played the situation for laughs. Dr. Strangelove's jet-black satire (from a script by director Stanley Kubrick, Peter George, and Terry Southern) and a host of superb comic performances (including three from Peter Sellers) have kept the film fresh and entertaining, even as its issues have become (slightly) less timely. Loaded with thermonuclear weapons, a U.S. bomber piloted by Maj. T.J. "King" Kong (Slim Pickens) is on a routine flight pattern near the Soviet Union when they receive orders to commence Wing Attack Plan R, best summarized by Maj. Kong as "Nuclear combat! Toe to toe with the Russkies!" On the ground at Burpleson Air Force Base, Group Capt. Lionel Mandrake (Peter Sellers) notices nothing on the news about America being at war. Gen. Jack D. Ripper (Sterling Hayden) calmly informs him that he gave the command to attack the Soviet Union because it was high time someone did something about fluoridation, which is sapping Americans' bodily fluids (and apparently has something to do with Ripper's sexual dysfunction). Meanwhile, President Merkin Muffley (Sellers again) meets with his top Pentagon advisors, including super-hawk Gen. Buck Turgidson (George C. Scott), who sees this as an opportunity to do something about Communism in general and Russians in particular. However, the ante is upped considerably when Soviet ambassador DeSadesky (Peter Bull) informs Muffley and his staff of the latest innovation in Soviet weapons technology: a "Doomsday Machine" which will destroy the entire world if the Russians are attacked.
 
Customer Rating
5 out of 5
5
classic Kubrick/Sellers/Scott
on July 25, 2009
Posted by: prlwctd
This Stanley Kubrick film is perhaps the best dark comedy ever made! General Jack D. Ripper (Sterling Hayden) basically goes bonkers and launches a nuclear assault against Russia. With only hours until his planes reach their targets, Ripper's aide Captain Mandrake (Peter Sellers) attempts to talk sense into him.
At the same time, the President (Sellers again) tries to contemplate other options given to him by both General Buck Turgidson (George C. Scott) and the title character (Sellers yet again), who informs him of what could be done should the worst occur.
Like all great comedies, this film has hilarious lines. There was also a ring of truth to it in 1964 (the height of the Cold War & the true beginning of the U.S.'s involvement in Vietnam) which, given the paranoia of the post-9/11 era, is still relevant today.
This movie, released the same year as the first two Pink Panther films (The Pink Panther & A Shot in the Dark), represents the high mark of Peter Sellers's genius.
I would recommend this to a friend!
+1point
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Despite Anchor Bay's dwindling reputation following the Opera fiasco and some major color timing problems with their much-touted 25th Anniversary Edition of Halloween, fans awaiting a definitive version of George A. Romero's third entry into the living dead trilogy may be slightly irritated to learn that Anchor Bay apparently has still not worked out the bugs in their DVD mastering system - and though on the surface this disc appears to be flawless in terms of both video and audio presentation, much of the dialogue has unfortunately been replaced with an alternate dub that plays down much of the film's shocking profanity. Fortunately, Anchor Bay has seen fit to pack this disc with some truly irresistible extras. The film itself, presented in 1.85:1 anamorphic widescreen and processed using the relatively new Disimax procedure, is in pristine condition with colors well balanced and solid blacks well represented in the film's endless underground corridors. Likewise, the DTS ES and Dolby Digital EX soundtracks make impressive use of the film's audio with faraway moans and the sounds of dripping water underground literally placing the viewer in the claustrophobic underground compound in which the protagonists struggle to survive. The newly remastered image, combined with the amazing use of audio really bring new life to the film and is a major improvement over Anchor Bay's previous release of this title. As impressive as the presentation of the film itself, it's the extras that truly bring this disc to life. A commentary track featuring Romero, producer David Ball, special effects artists Tom Savini and Greg Nicotero, production designer Cletus Anderson, assistant director Chris Romero, and actors Lori Cardille, Joe Pilato and Howard Sherman may not be as technically insightful as one may hope, though it is nice to hear many key contributors reunited and reminiscing about the trying production. Likewise, a commentary track by writer/director and all around Day of the Dead fanatic Roger Avery is entertaining for a few juicy bits of background, but ultimately takes the back seat to the commentary of those who were there firsthand. A 39 minute featurette revisiting the original, far more epic first draft of the script, discussing the knee jerk hostility with which the film was originally greeted at the box office and revealing some remarkable secrets from make-up effects master Savini "The Many Days of Day of the Dead" is an indispensable companion piece to the film that any fan should see. An addition featurette entitled "Day of the Dead: Behind the Scenes" offers a more detailed look at the creative make-up effects courtesy of video footage shot on set, and a promotional video for the Wampum Mine facility in which the film was shot provides an insightful look into the stunning location used for shooting the film. An audio interview in which actor Richard Liberty (Dr. Logan) warmly recalls his days shooting with Romero will also please fans despite the sad footnote that Liberty would succumb to a heart attack mere months after the interview was recorded. Theatrical trailers and TV Spots offer an exciting glimpse into the advertising campaign, and seven still galleries provide insight into everything from some amazing promotional materials to standard continuity stills. A biography for director Romero as well as DVD-ROM access to the original script and production notes are sure to make for interesting reading, and a companion booklet offers a revisionist look at the film far removed from the initial hostility with which it was greeted upon original release.
 
Customer Rating
4 out of 5
4
fine
on July 24, 2009
Posted by: prlwctd
George Romero's second "Living Dead" followup is a much a reflection on the 1980's as its predecessors were about the '60's & '70's, respectively. This time, another group of people, a combination of scientists & military types (including a gung-ho soldier) hole themselves up in an underground bunker. One scientist, affectionately called 'Frankenstein' by his comrades, even tries to communicates with zombies they have captured.
This entry doesn't keep your interest like the first nor does have the funny subtext of the second, but it's still worth a look thanks to Tom Savini, who, once again, takes delight in the makeup FX.
I would recommend this to a friend!
0points
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To eager fans, it may have seemed as if this massive, four-disc Dawn of the Dead DVD set staggered to its inevitable release date like one of the lifeless walking dead itself, but thanks to the genre-friendly folks at Anchor Bay Home Entertainment, it was certainly worth the wait. Offering no less than three versions of George A. Romero's seminal zombie classic as well as numerous bonus materials and a fourth disc featuring two feature-length documentaries on the making of the film, this release is an absolute must-have for any true Dawn of the Dead fan. Whether you chose to view the "U.S. Theatrical Version," the "Extended Version," or the new-to-U.S. shores "European Version" (supervised by Italian horror legend Dario Argento), each version of the feature presentation is near flawless. Colors are bold and vibrant on all three versions, with virtually no edge enhancement or digital artifacting marring the remarkably clean presentation. Simply stated, this is as good as Dawn of the Dead has looked outside of its original theatrical run. An abundance of audio options are sure to please audiophiles who know that their Goblin is best served loud, and though the extended version only offers audio in original Mono, both the U.S. Theatrical cut and European Versions feature Dolby Digital 5.1 audio that is evenly mixed and truly satisfying (those versions also offer great Dolby Digital Surround and Mono mixes). Bonus materials are spread out over the four discs, with each version also containing a unique commentary track specific to that particular version. Those who have seen Anchor Bay's previous "Divimax" release of the U.S. Theatrical Version will no doubt be familiar with the commentary track featuring Romero, Tom Savini, and assistant director Chris Romero; though the track is both informative and entertaining, those who have heard it will likely move quickly to the other two tracks. Extended Version commentary with producer Richard P. Rubinstein is absolutely fascinating from a business perspective, and though the outspoken producer actually seems to take a few digs at Romero in the later portion of the commentary, he is overall very engaging and -- at times -- surprisingly revealing. As interesting as the aforementioned commentaries are, however, the crown jewel here is surely the track accompanying the European Version featuring stars David Emge, Ken Foree, Scott Reiniger, and Gaylen Ross. Words simply can't describe how much fun it is to listen to the quartet as they lively recall their endless nights of shooting, and in addition to discussing some of the differences between the European and U.S. cuts of the film, their amusing anecdotes are consistently captivating and their enthusiasm infectious. Though it would have been nice to hear Argento talk about the changes he implemented in the European Version, in all fairness the director is notoriously shy about audio commentaries, and the fantastic job done by Emge, Foree, Reiniger, and Ross makes the slight omission go down easy enough to not leave a bitter taste. The disc containing the U.S. Theatrical cut features the same bonus materials as the previous "Divimax" release, with a variety of European trailers and television spots gracing the European Version disc, and various advertising materials, artwork, and production materials generously spread across the European and Extended Version discs -- not to mention a memorable television spot for the Monroeville Mall. Of course, die-hard fans eager to dive headlong into the "documentaries" disc will be pleased to note the inclusion of not only a brand-new, feature-length retrospective documentary which offers numerous interviews with cast and crew members, but also filmmaker Roy Frumkes' fantastic Document of the Dead -- an amazing look behind the scenes of Dawn of the Dead that was actually shot during the production of the feature. When fans are finished viewing zombie extra {$Robert Langer}'s remarkable behind-the-scenes Super-8 footage, they can take a stroll through the Monroeville Mall with none other than Dawn of the Dead star Ken Foree himself! Aside from the obvious omission of Argento on the European Version commentary, it's truly hard to comprehend a more definitive release of Dawn of the Dead.
 
Customer Rating
5 out of 5
5
great horror/satire
on July 24, 2009
Posted by: prlwctd
George Romero's followup to his legendary Night of the Living Dead is perhaps the most famous zombie movie ever! It is also the most tongue-in-cheek with assorted people fleeing the ever-growing armies of the undead and finding refuge in a shopping mall (which, in 1978, weren't as commonplace as they are now). Hence the film can also be viewed as a commentary of American consumerism as our heroes have basically every means at their disposal to fight the undead menaces.
The actors are all fine, but the real star of the film is Tom Savini's makeup FX, which are wonderfully bloody.
I would recommend this to a friend!
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Customer Rating
5 out of 5
5
classic
on July 23, 2009
Posted by: prlwctd
This superlative adaptation of Harper Lee's controversial book is a nice examination of race relations as well as a charming coming of age story. Scout Finch (Mary Badham) is a southern tomboy who goes through life with her brother Jem (Phillip Alford) while their attorney father Atticus (a perfect Gregory Peck) is defending a wrongfully accused man (Brock Peters); a trial which, in this racist time, he has no chance of winning.
I would recommend this to a friend!
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