Share prlwctd's profile
 
Facebook Twitter
 
 
prlwctd
 
 
 
prlwctd's stats
 
  • Review count
    184
  • Helpfulness votes
    119
  • First review
    October 10, 2007
  • Last review
    July 31, 2009
  • Featured reviews
    0
  • Average rating
    4.1
 
Reviews comments
  • Review comment count
    0
  • Helpfulness votes
    0
  • First review comment
    None
  • Last review comment
    None
  • Featured review comments
    0
 
Questions
  • Question count
    0
  • Helpfulness votes
    0
  • First question
    None
  • Last question
    None
  • Featured questions
    0
 
Answers
  • Answer count
    0
  • Helpfulness votes
    0
  • First answer
    None
  • Last answer
    None
  • Featured answers
    0
  • Best answers
    0
 
 
prlwctd's Reviews
<< 1 ... 15 16 17 18 19 >>
 
  • Tech Insider Network
Customer Rating
5 out of 5
5
the most famous of all Draculas
on November 2, 2008
Posted by: prlwctd
This, the first sound version of Bram Stoker's great novel, remains the one version that everyone the world over thinks of when they think of the Count. This is in no small part to Bela Lugosi's legendary performance in the title role. Having played the role numerous times on the stage before and after this movie (the film is based more on the play by Hamilton Deane than on Stoker's book), Lugosi was indeed the perfect (but, ironically, not the first) choice for the role.
Kudos must also be given to Dwight Frye for his funny work as Renfield and Edward Van Sloan for the nice air of authority he brings to the role of Van Helsing.
The film is a bit slow in parts (due, in part, to the lack of a musical score, although the new Philip Glass music is servicable), which, ironically, the simultaneously-filmed Spanish version makes up for, although that movie's lack of Lugosi has kept it from enjoying the same classic status as this film.
This movie's great success led to the chain of monster flicks that Universal Studios is so well known for, beginning with the equally definitive version of Frankenstein.
What's great about it: spooky moments and Lugosi's definitive performance
What's not so great: a bit stagey by today's standards
I would recommend this to a friend!
0points
0of 0voted this as helpful.
 
  • Tech Insider Network
Customer Rating
5 out of 5
5
Shocking and funny
on November 1, 2008
Posted by: prlwctd
Kubrick's followup to 2001: A Space Odyssey is also science fiction, but of a very different kind.
A punk named Alex (played with wonderful black humor by Malcolm McDowell) has the time of his life violently taking advantage of other people with his 3 friends (or droogs, as he calls them), who eventually turn on him and leave him for the police, who later attempt to 'recondition' him. This experiment leads to Alex becoming susceptible to revenge from the society he terrorized.
This is a violent picture which just happens to have a sharp sense of humor.
The film was initially rated X (or NC-17 as the rating is known today). Although it was later reduced to an R rating, the violence still shook people up in 1971 (enough for the movie to be banned in the UK until after Kubrick's death) and it's still potent today.
This is certainly not for the sensitive, but, as was commonplace for Kubrick's films, it is a unique experience for those willing to view it.
The film certainly paved the way for movies such as Natural Born Killers and Minority Report.
What's great about it: violence laced with black humor
What's not so great: the violence could turn off some people
I would recommend this to a friend!
+2points
2of 2voted this as helpful.
 
  • Tech Insider Network
Customer Rating
5 out of 5
5
majestic sci-fi
on November 1, 2008
Posted by: prlwctd
Enterainment Weekly rightfully proclaimed this Kubrick film "the grandest of all science fiction movies."
This movie involves a mysterious black monolith which first appeared on Earth in the early days of humanity. There is then a fast-forward to the titular year, in which a similar object is found on the moon. This leads to a group of 5 astronauts (3 of which are in suspended animation) being sent to Jupiter, where a transmission from the monolith is being directed. Their ship, Discovery I (which obviously inspired the Star Destroyers seen in Star Wars) is controlled by a supercomputer known as HAL (memorably voiced by Douglas Rain) who proceeds to act unpredicably towards his(?) human compatriots en route.
What occurs afterward can't be put into mere words. This is one film which must be seen to be comprehended, and, even then, its unprecedented method of narrative drive may leave some viewers confused. This is not a film that meets the viewing audience halfway, as it were. Much is left to the imagination, which is part of the genius of Kubrick.
The fact that real-life astronauts have claimed that being in space is just like 2001 is proof of the indelible mark the film has left on cinema.
What's great about it: a breakthough in SFX and storytelling
What's not so great: the pace of the film is not for all tastes
I would recommend this to a friend!
+3points
3of 3voted this as helpful.
 
  • Tech Insider Network
Customer Rating
4 out of 5
4
underrated Hitchcock gem
on November 1, 2008
Posted by: prlwctd
Marnie was the first great non-Bond film from Sir Sean Connery since he began playing his career-defining role as 007. This was also Hitchcock's followup to his classic The Birds, with the same leading lady, Tippi Hedren.
Sadly, the film didn't gather much acclaim upon its original 1964 release. One reason being that it is not a suspense shocker like The Birds or Psycho. Another being that Sir Sean is quite far from the Bond role (the film was sandwiched between From Russia With Love & Goldfinger). Indeed his character, one Mark Rutland, is an upperclass businessman who becomes quite self-serving when he blackmails his employee (the title character, played by Hedren) into marrying him in the hopes of understanding the psychosis which drives her to steal.
By 1964, Hitchcock's name had become synonymous with suspense and, while the moment Marnie steals from Rutland may put the viewer on edge, the picture itself is more of a character study involving the plotting between the two principals keeping the details of their marriage a secret from everyone including the sister of Rutland's late wife, who's smitten with him herself.
Some scenes (mostly those in between Rutland & Marnie's confrontations) slow the pace of the movie somewhat. However, both Connery & Hedren do fine work, but the best part of the film is the music from frequent HItchcock collaborator Bernard Herrmann, which is possibly the most romantic musical score for any movie.
In recent years, though, this film has gained a more positive reputation. Although Hedren didn't obtain any high profile roles following this, it is seen as one of the first indications that Sir Sean's acting talent was not limited to playing James Bond.
What's great about it: good acting from the two leads, great musical score
What's not so great: a bit slow at times
I would recommend this to a friend!
0points
0of 0voted this as helpful.
 
Director Steven Spielberg's A.I.: Artificial Intelligence was not only a box-office disappointment, it also did something that his previous films have rarely or never done -- it alienated the audience and divided the critics. Perhaps with the release of the film onto DVD, Spielberg's misunderstood science fiction fairy tale will find a more receptive audience. Dreamworks Home Entertainment has released the film as a two-disc special edition, in either its preferred letterboxed version (1.85:1 enhanced) or in a pan-and-scan format. The image on the letterboxed version is excellent throughout. The soft smoky interiors of the first part of the film have a nice auburn glow to them, which nicely contrasts the sultry colors that take over for the second part. There is no evidence of color bleeding or flaring up and the image is consistently balanced. Many scenes, which are filmed purposefully dark, still manage to keep a richness and depth that is difficult to replicate outside of a movie theater. The disc also comes equipped with various soundtrack options, including an English language 5.1 track, 2.0 Dolby Surround, and a 5.1 DTS option. The first two tracks are vigorous and active, though always keeping the dialogue clear. The first disc contains the film itself and a short ten-minute documentary on the making and origins of the film. But it's with the second disc that one finds a plethora of supplemental material. The disc contains numerous mini-documentaries on all stages of A.I.'s production, from its initial planning stage with Stanley Kubrick to its final release. There are some nice interviews with actors Jude Law, Haley Joel Osment, and others. Also of interest are the interviews with the storyboard artists, production designers, and the many special effects technicians from Stan Winston's factory of wonders and Lucasfilm's ILM studio. The disc also contains a couple of theatrical trailers, a multitude of storyboard sketches, production photographs, some interesting interviews with sound designer Gary Rydstrom and composer John Williams, and much more.
 
  • Tech Insider Network
Customer Rating
4 out of 5
4
fascinating and frustrating
on October 31, 2008
Posted by: prlwctd
Stanley Kubrick had a few potential movies in the works when he died in 1999. One of these was a story involving an android child seeking to win the love of his human mother, based on a story by one Brian Aldiss. Kubrick believed that Steven Spielberg would be the ideal choice as the director for this project and they began collaborating on it on and off through the years. After Kubrick's death, Spielberg made the decision to direct and write the screenplay for the film as a way to honor his friend (hence its release in 2001).
The pacing and the flow of the film, like that of 2001: A Space Odyssey, will be a turnoff for some. However, what cannot be denied is the brilliance of Haley Joel Osment as the android child, David. His journey to win his mother's love is an intriguing, even harrowing, one. Also fabulous is Jude Law as an android (described by one critic as a cross between the Tin Man in The Wizard of Oz and Malcolm McDowell in A Clockwork Orange) who's on the run for a crime he didn't commit when he comes across David and agrees to help him.
Many complained that the ending of the film was too sweet and upbeat, but look at it more closely and you'll realize that it's not very upbeat at all.
This is a noteworthy departure from science fiction previously done by Spielberg (which would lead to the similar tone in both Minority Report and War of the Worlds) and, simultaneously, is a wonderful tribute to the great Stanley Kubrick.
What's great about it: the acting, the SFX, and a surprisingly downbeat tone
What's not so great: the presentation isn't for all tastes
I would recommend this to a friend!
+1point
1of 1voted this as helpful.
 
  • Tech Insider Network
Customer Rating
5 out of 5
5
the definite zombie film
on October 31, 2008
Posted by: prlwctd
Even those who dislike zombies films recognize the name Night of the Living Dead, which basically reinvented the zombie genre at the same time Sergio Leone was reinventing the western (which would, in turn, led to Italian studios churning out both types of pictures as though they were pizzas for a while).
A woman and her brother go to their father's grave when they are accosted by an unknown assailant. The brother dies protecting his sister, who escapes by finding refuge in a seemingly abandoned house. She then finds her only assistance in the form of both a drifter and a small group (a family of three and two sweethearts) hiding in the house's basement. As the group board up the house and contemplate/debate strategy, the assailant, they realize, is only one of many that are trying to get into the house.
They eventually discover where these murderers are coming from and the reason for their bloodlust.
This film, released in the hot (in more ways than one) year of 1968, tapped into the ziegiest of people's feelings for authority and society in general. The black and white photography adds to the grittiness of the film and its ending is not what you'd expect.
What's great about it: relentless and shocking
What's not so great: not for the squeamish
I would recommend this to a friend!
0points
0of 0voted this as helpful.
 
Unlike the previous two discs of The Alien Legacy Box Set, this one is not loaded with special features, but the audio and video transfers are as well done, if not better than the others. Both have been digitally remastered in THX and make excellent use of home-theater capabilities. The soundtrack is a very strong 5.1 mix which makes pronounced, frequent use of the rear channels, adding a great deal of atmosphere to the already claustrophobic nature of the film; voices echo eerily, and lingering, ambient sounds permeate almost every moment. The video transfer is pristine, with not a single instance of graininess or pixilation to be found anywhere. Also, the lines are sharp and the colors clearly defined -- there is very little to no bleeding to be found here. This film relies heavily on shadow and darkness to maintain its suspenseful atmosphere, and it seems that the disc's producers kept this well in mind, mixing the blacks as dark as possible while still maintaining subtle details within them. Again, the extra features are nothing extraordinary; the only feature worthy of special note is a short making-of featurette, which contains interviews with many of the cast and crew. There are also theatrical trailers for all four Alien films, as well as a preview of the video game based on Alien Resurrection, the fourth film in the series. Despite the lack of extraordinary special features, the disc's superb transfer make it a worthy addition to any collection.
 
  • Tech Insider Network
Customer Rating
2 out of 5
2
a noble failure
on October 31, 2008
Posted by: prlwctd
Like The Godfather Part III, Alien 3 may be viewed more as more of a classic had it been the first of the series. In both cases, however, the fact that there are not one but two predecessors which are hard acts to follow make the third seem anticlimatic by comparison.
It was indeed bold to begin the film by crash landing Ripley on a penal colony, which results in the loss of her friends.
However, this makes the events of Aliens pointless, and, as anyone who's seen Aliens knows, the circumstances surrounding the aforementioned crash strain credulity.
Weaver is fine again as Ripley and Charles S. Dutton is good as the inmate who becomes the closest thing she has to an ally.
There are other factors, though, that just don't add up to a satisfying whole. Why did Ripley basically sleep with that doctor on a whim like that? Why did it take so long for the alien in Ripley to hatch while the one in that poor dog took basically no time at all? Why do basically all the residents of this colony (save Dutton's character) act as moronic as teenagers in a Friday the 13th film?
Credit should be given for at least trying a different tactic, and it's nice that David Fincher was able to go on to better things like Se7en & Panic Room, but anyone expecting a complimentary companion piece to Alien & Aliens will be disappointed.
What's great about it: it tries something different
What's not so great: it fails by trying something different
No, I would not recommend this to a friend.
+2points
2of 2voted this as helpful.
 
Like its prequel, the "director's cut" DVD of Aliens is packed full of special features, and is a very high-quality presentation of the film as well. Most notably missing from the disc's special features is a commentary track with director James Cameron, but this is compensated for by an extended onscreen interview conducted just prior to the film's release. Other extras include an extensive still photo/concept art section detailing every aspect of the film, behind-the-scenes footage, theatrical trailers, and best of all, almost 20 minutes of essential, restored footage. Technically, the film has received first-class treatment as well, with a beautiful anamorphic transfer digitally remastered in THX. Aliens won several awards for visual effects, including an Academy Award, and the disc's producers have taken great pains to preserve these visuals in as pristine a manner as possible. There is almost no spotting or pixilation on the transfer, and the colors are well balanced with deep blacks and non-bleeding lights. The soundtrack has been faithfully reproduced and remastered in digital 5.1 THX, which serves the many action scenes well and creates a strong, eerie surround presence. Between the excellent transfer and comprehensive extras package, this disc is the definitive version of Aliens.
 
  • Tech Insider Network
Customer Rating
5 out of 5
5
a superior sequel
on October 31, 2008
Posted by: prlwctd
There are only a handful of sequels which are better than their progenitors. Aliens is one of those handful.
Sigourney Weaver is fabulous reprising her role of Ripley, who has returned to civilization and then receives word that the world where she had her horrific encounter in Alien has since been colonized-and now those colonists are missing. Despite initial reluctance, her recurring nightmares eventually prompt her to go back to that world for her past experience; this time accompanied by gung-ho marines, who, needless to say, get more than they bargained for.
Ripley's reluctance to face this horror a second time soon transforms into obsession as she forms a bond with a young girl who's the only survivor of the colony.
This film succeeds because it wisely elects not to simply recreate Alien in another form but rather tell a different kind of story that ends up becoming a classic as well.
What's great about it: everything good in Alien times 10
What's not so great: nothing wrong here
I would recommend this to a friend!
0points
0of 0voted this as helpful.
 
"In space no one can hear you scream," and in Alien it was the start of a sci-fi horror series. The film is presented in 2.35:1 anamorphic widescreen and looks to be in excellent shape. The colors and black level (there are a lot of them) are clear and concise without any major imperfections or defects marring the image. Overall, Fox has done a fantastic job at making sure this transfer is the best it will ever look. The soundtrack is presented in a newly created Dolby Digital 5.1 Surround soundtrack in English, as well as Dolby Digital 2.0 Surround in French and English. The new 5.1 mix works well within the confines of the film, utilizing both surround sounds and directional effects. Since the soundtrack is more creepy than bombastic, the directional sounds and background noises are often subtle and very eerie. All aspects of the dialogue, effects, and music are free of any excessive hiss or distortion. Also included on this disc are English and Spanish subtitles. Fox has produced a fine batch of extras for this first-ever DVD edition of Alien, starting with a commentary track with director Ridley Scott. This is a fantastic audio track that features Scott discussing multiple stories about the casting, production, and story. Two isolated music tracks featuring composer Jerry Goldsmith's score should please film music fans, while a bunch of deleted scenes/outtakes allow the viewer to see what ended up on the cutting-room floor. Finally there is an extensive still gallery with well over 450 photos and concepts, as well as cast and crew biographies, production notes, theatrical trailers, TV spots, and an eight-page collectable booklet inside the DVD case.
 
  • Tech Insider Network
Customer Rating
5 out of 5
5
the perfect sci-fi/horror hybrid
on October 31, 2008
Posted by: prlwctd
Although this film was primarily influenced from the 1950's film It: The Terror From Beyond Space, Alien has rightly become a classic in its own right.
The crew of a cargo ship finds their return trip to Earth (during which they were in suspended animation) interrupted when their ship's computer (called "Mother") intercepts a transmission from an uncharted planet. As per standard procedure, they set down on said world and, following a mishap involving one of the officers (played by John Hurt), resume their course toward Earth only to realize that the ill-fated officer carried back with him the title creature, which proceeds to wreck havoc on the other six members of the crew.
This film deservedly made a star of Sigourney Weaver, who plays one of the officers who desperately looks for a way to outmaneuver the horrific monster.
The other actors are solid as well, as, like Weaver, they portray characters who are very believable and human.
The film also put Sir Ridley Scott on the map, and rightly so.
What's great about it: the setup, the acting, the art direction
What's not so great: some may find parts a bit slow
I would recommend this to a friend!
0points
0of 0voted this as helpful.
 
The Terminator features a wonderful 1.85:1 anamorphic widescreen transfer that is remarkable for a film released back in 1984. A few specks of dirt appear on the print, but they're extremely minor and don't hinder the experience in any way. This disc includes a brand-new 5.1-channel Dolby Surround transfer that showcases a significant amount of power and depth. It also contains the original mono track, which lacks the strength of its companion but does have a balanced level of sound. This special edition of The Terminator contains an impressive collection of supplements that should please its many devout fans. The highlights are two well-done documentaries that provide plenty of background material. "Other Voices" is a comprehensive new extra that includes basically everyone involved with the film in a significant capacity. "The Terminator -- A Retrospective" features an informal conversation between James Cameron and Arnold Schwarzenegger in 1992 about their experiences making the film. The other major inclusion is seven deleted scenes that are more interesting than the usual throwaway moments. Cameron offers commentary on each cut and tries to explain why he made the deletion. There's also a large still gallery that contains numerous drawings and photographs in five categories. The most interesting section includes artwork by Cameron of his original concepts and storyboarded sequences. This disc offers fans a chance at reading Cameron's original film treatment. Written in 1982, it's very extensive and includes the basic structure for the final version. There are also several original theatrical trailers and television commercials included on this release.
 
  • Tech Insider Network
Customer Rating
5 out of 5
5
superb sci-fi shocker
on October 31, 2008
Posted by: prlwctd
Although he deservedly became a star with Conan The Barbarian, Arnold Schwartzenegger became a superstar as the title character in this flick. He's an unstoppable android killing machine sent from the future to kill a woman whose actions are destined to eventually lead to the destruction of those who built Arnold. However, she gains an ally in a soldier, also sent from the future.
Both Linda Hamilton and Michael Biehn (the woman & soldier, respectively) are instantly likable and sympathetic. Hence, our fear of Arnold's Terminator exemplifies as he persues them throughout the film.
Even the police officers (played here by Paul Winfield & Lance Henriksen) aren't the cliched, pompous movie cops often seen, but are actually a bit more thoughtful and intelligent.
Although the film itself has a relatively low budget, it's SFX are still first-rate, and the ending is actually more downbeat that it at first appears.
The film's director, James Cameron, also scored his first hit with this film, which led to other classics from him such as Aliens and Titanic.
What's great about it: the acting, directing, pacing
What's not so great: nothing I can think of
I would recommend this to a friend!
0points
0of 0voted this as helpful.
 
<< 1 ... 15 16 17 18 19 >>
 
prlwctd's Review Comments
 
prlwctd has not submitted comments on any reviews.
 
prlwctd's Questions
 
prlwctd has not submitted any questions.
 
prlwctd's Answers
 
prlwctd has not submitted any answers.