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    September 16, 2008
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Galadrielle's Reviews
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Scandal, betrayal, and treachery abound in this involving update of Shakespeare's classic tale, arriving on DVD from MGM Home Video. Viewable in either the original 1.85:1 anamorphic widescreen theatrical version (enhanced for 16 x 9 TVs) or in standard 1.33:1 full-screen pan-and-scan, and featuring a choice of either closed-captioned English Dolby Digital 5.1 or French Dolby Digital Mono soundtracks, this release also offers optional Spanish and French subtitles. Extra features include a collectible booklet and an original theatrical trailer.
 
Customer Rating
5 out of 5
5
The Richness of Richard III
on October 9, 2008
Posted by: Galadrielle
from Southern California
I remember having seen Sir Ian McKellen interviewed on The Actor's Studio. When asked what his favorite word was, the great knight replied "Shakespeare!" As Richard III, McKellen's acting clearly shows that he is, indeed, an avid fan of not only Shakespeare, but of all great literature.
Shakespeare brings to life the horrors of tyranny and war as he brings to life the true story of the last English monarch, to date, ever to die in battle. Apparently, and sadly, leadership run amok was prevalent throughout the world in the 1400's, for a contemporary of Richard III is the actual Hungarian Prince Vlad Dracula.
We must remember that royalty tends to be biologically related to each other, which makes the opening scene, in which we first see Prince Richard assassinating Prince Edward - and getting away with it - all the more disturbing! He proposes to Edward's widow, Anne (Kristin Scott Thomas), in a hospital morgue, literally over Edward's dead body! Shakespeare makes this all the more shocking by having her accept his proposal, right after he admits that he has killed her husband! As he dances out of the hospital rejoicing over his impending wedding, we see him paying absolutely no mind to the pain and suffering that is surrounding him, and doctors, patients, friends and relatives, and hospital staff completely ignore him. This makes no sense because he is, after all, their prince, and even if he did, indeed, have a heart of stone, he at least ought to have put up some sort of show of compassion.
This excellent drama, in which artistic liberties have been taken by setting it in the 1930's, rather than the 1470's and 1480's shows how the last of the Plantagenet rulers grabbed the Throne of England for himself, even at the expense of betraying his own brothers - and little nephews - to their tragic deaths. The whole play is utterly shocking, but it is a story that must be told.
Rounding out this excellent cast are Annette Benning (Queen Elizabeth), Jim Broadbent, and a young Robert Downey, Jr.
On a happy note, and one of the few happy moments in the movie, Christopher Marlowe's famous "Come Live with me and Be my Love" poem, set to some rollickingly good jazz, is sung at the grand ball. I found this bright moment very refreshing, especially as English playwright Marlowe was Shakespeare's chief business rival!
Immediately after the ball, Richard shows his love for his brother by having him taken to the Tower of London, where he admits, in a soliloquy, that he will soon send him to heaven (by having him killed!). Using his large white handkerchief, he waves "goodbye" to the poor prince, but we wonder if he is also sending some sort of secret message to some guards, or perhaps even spies, as McKellen continues to wave long after the boat has gone from his - and our - view!
I first saw Richard III long before Lord of the Rings was released and was terrified when I saw my first glimpse of McKellen as Richard. After having seen McKellen in what is perhaps his most memorable role to date - Gandalf - not only is his evil King Richard all the more disturbing, but the entire movie has an even stronger intensity than ever before, in my opinion.
Anyone who appreciates films such as The Godfather would be wise to see Richard III.
What's great about it: A song with lyrics by Christopher Marlowe, Shakespeare's contemporary, is sung!
What's not so great: There is a hospital scene that I found hard to believe.
I would recommend this to a friend!
+1point
1of 1voted this as helpful.
 
Customer Rating
5 out of 5
5
Loving an Important Piece of History To Death
on October 7, 2008
Posted by: Galadrielle
from Southern California
Love it To Death is the first album in which young Alice Cooper makes history by combining Gothic horror with rock 'n' roll. While there have been morbid song lyrics since the time King David wrote the Psalms, and probably long before, Cooper brings his own genre - rock 'n' roll - to the graveyard, and this album is as good and spooky as a good old fashioned 1950's horror movie, or Halloween itself! Dead bodies, zombies, and our own mortality are prevalent themes in this album, and, while many of these songs, especially "I'm Eighteen," are classics, still sung by Cooper today, there are others that only appear on this album and are well worth a good listen.
Bob Ezrin's and Glenn Buxton's melodies are often eerie and reflect the theme of horror that pervades the entire album like a fog in a deserted alley.
Cooper's lyrics are thought-provoking, and, at times, deal with very disturbing themes. One line in "I'm Eighteen" deals with "living in the middle of doubt." I believe many of us can relate to that. Another great classic is "The Ballad of Dwight Fry," which, like Shakespeare's plays, is best seen, whether on DVD or, better yet, at a concert! Cooper performs this song in a straitjacket!
The most disturbing song on the album, in my opinion, is "Hallowed be my Name," sung by the talented Neal Smith. The song starts out like a hymn, but the lyricist, presumably Cooper, attacks the deadly sin of Christian spiritual arrogance as an eagle attacks a poisonous viper!
Cooper has, of course, since released many albums that, in many ways, are more powerful than this one, but the classic Love it to Death is still as frightfully good as a ghost story told around a campfire on a cold dark night!
What's great about it: This is the first Gothic rock album, and still sounds as good today as it did in 1971 when it was firs released.
What's not so great: The song "Hallowed be My Name" contains some language that is too harsh for people who are under 14 or sensitive.
I would recommend this to a friend!
+1point
1of 1voted this as helpful.
 
Customer Rating
4 out of 5
4
Rocking and Rolling Under the Shadow of the Moon
on October 6, 2008
Posted by: Galadrielle
from Southern California
Blackmore's Night is a lively fusion of rock and roll and classical. Ritchie Blackmore's arrangements of beloved Renaissance songs and dances such as Greensleeves, are unconventional and stirring. Candice Night's angelic voice, with just the tiniest bit of a Gothic edge, is a sheer delight. I particularly enjoy the song "Renaissance Faire," which starts out with the lively tune of an actual Renaissance dance - the Coranto - and then gracefully leaps to Blackmore's original song, which still maintains the flavor of the 1500's and 1600's. The lyrics encourage lords and ladies to come with Night to the Renaissance Faire and point out that, at the Renaissance Faire, there are minstrels with special songs "for me and for you." I have never heard Blackmore's Night live, and am looking forward to doing so in the future, but this album is like carrying just a little bit of the Renaissance Faire in your music system! The only negative thing I could say about this album is that they keep having the love song "Wish you were here" on practically every album they produce. Because the lyrics seem so standard and mundane, this song puts a slight damper on my listening pleasure, and it would be much better for that song to appear on only one Blackmore's Night album. One line is: "I still have feelings for you - do you still feel the same?". It would have been much more refreshing for Blackmore's Night to, instead, have taken some actual Renaissance love songs, by Shakespeare and 1500's and 1600's bards Edmund Spenser and John Donne. I wish they would do so on a future album. Nevertheless, it is a lovely blend of classical and rock and roll!
What's great about it: Blackmore's Night creates a lovely unconventional blend of classical and rock and roll!
What's not so great: Their standard love song "Wish You Were Here" keeps appearing on most of their albums, which can be annoying.
I would recommend this to a friend!
0points
0of 0voted this as helpful.
 
Customer Rating
5 out of 5
5
Beatrix Potter: Renaissance Woman
on October 5, 2008
Posted by: Galadrielle
from Southern California
I consider Beatrix Potter to be one of the greatest women in history. Just as St. Francis of Assissi is famous for, among other great things, promoting kindness to all animals, Beatrix is famous for showing, to the world, the beauty, and the importance of being kind to, small animals, particularly mice. Before there was Mickey Mouse, there were Beatrix's delicate little field mice - and even dainty, but rough, urban mice! While being renowned as an artist and storyteller, the independent-thinking Beatrx spent most of her life as a very successful farmer, excelling in a predominantly male field, and championed the preservation of open spaces in the face of the Industrial Revolution and its push for development.
The multifaceted Renee Zellweger, who marvelously played Roxie, a convicted murderess in the Academy-Award winning musical Chicago, is an absolutely strong and charming Beatrix. We see her, like a brave warrior woman, bravely, and successfully, battle her mother's demands for her to live a conventional mundane high society upper-middle-class life. Beatrix fiercely hangs onto her love of her art and her love of animals and the outdoors, and her love of her fiancee and editor Norman Warne (Ewan McGregor). Yet Zellweger's Beatrix can be as sweet as one of her mice, albeit a mouse with sharp pointy teeth! We see her endearing smile as she talks about her work and as she paints the animals that are beloved throughout the world, and we can easily see how confirmed bachelor Norman falls for her, even though she has passed her 30th birthday without having married - which is unheard of in the late 19th and early 20th centuries! Zellweger also shows great pathos when she succumbs to depression right after Norman's untimely death, yet this pathos slowly turns first to purpose and determination, and then to joy, as she goes into the country, gets her hands good and dirty, and finds happiness as a farmer, and falls in love with the compassionate Willy Heelis, who encourages her in her art and writing, her farming, and her championship of the preservation of wildlife and open space. After the end of the movie, Beatrix and Willy marry and live happily ever after! It has also been written that Beatrix was a maverick farmer, and she has since been greatly recognized for her farming. I am looking forward to seeing Zellweger in the upcoming Western, Apaloosa!
Complementing Zellweger's performance is Lucy Boynton as the wise young Beatrix, who shows the determination and the love of the outdoors and the strength that this great hero had all her life. In one scene in which Boynton is wearing a fedora, she looks just like the real Beatrix in a picture I saw of her at age 10 in a biography!
While I found everything about the movie historically accurate, there are a few details that ever so slightly detracted from the charm. First, Zellweger's shoulder-length hair, which is in a tiny little bun for most of the film, is completely out of character and time. Healthy women, especially the sturdy Potter, had very long thick luxurious hair, and pictures of Potter show her hair pulled back in quite a large and substantial bun. Second, during the flashbacks, the mouse friends of young Beatrix (Lucy Boynton) are pure white. The mice whom Beatrix most likely befriended, throughout her life, probably had brown hair, the color of a good latte. Lastly, I was disappointed when, at the beginning of the movie, Potter said she had a gaggle of her friends with her, and the friends in question were her characters and not real live animals! Biographies of Beatrix Potter have stated that the friends she kept with her all the time were little animals, and, while we are on the subject of small animals, where, oh where, have the guinea pigs gone? While some great heroes are associated with horses, Beatrix Potter loved having guinea pigs around, and a scene with a guinea pig oinking happily away on Beatrix Potter's knee would have enhanced this already charming movie!
The animated characters of Beatrix's tales added to my delight of the whole movie because she believed in them, and she believed in her work, and she believed in her dreams! This is truly one of the most charming and most empowering movies I have ever seen, and I consider it wise for women and all young girls who seek wisdom to see it - and then, for heaven's sake, spend the rest of the day outside!
What's great about it: As a woman, I find this charming movie very empowering.
What's not so great: Renee Zellweger's hair is much too short. Beatrix Potter's hair was very long.
I would recommend this to a friend!
0points
0of 0voted this as helpful.
 
Joe Johnston's adventure film Hidalgo arrives on DVD with a full-frame transfer that fails to preserve the original theatrical aspect ratio. The English soundtracks are rendered in both Dolby Digital 5.1 and DTS 5.1. French and Spanish soundtracks have been recorded as well. This THX-certified disc offers first-rate picture and sound quality. Supplemental materials include a nine-minute behind-the-scenes featurette that touches on aspects of production as well as the history of the real people and events depicted in the film. A more extensive featurette on the stallions is available for those with PCs that have DVD-ROM drives. Trailers for a handful of other releases round out the extras. This is a fine disc for what it is, but the same extras are available on a different DVD that also boasts a widescreen transfer of the film. That version is preferable to this one.
 
Customer Rating
5 out of 5
5
The Brilliant Saga of Hidalgo
on October 4, 2008
Posted by: Galadrielle
from Southern California
Hidalgo is the well-written, well-acted true story of Frank Hopkins (Viggo Mortensen), the brave rider who, with his smart American horse Hidalgo, competes in The Ocean of Fire - a fierce race in the Middle East, against athletes known not only for their horsemanship, but for their cunning. The movie begins at the Battle of Wounded Knee, where Frank witnesses the true tragedy of the unjust massacre. Later, after having starred in Buffalo Bill's Wild West Show, he finds himself competing in the Ocean of Fire, but to Frank, it is more than a matter of proving himself or of winning the race - it is a matter of honor and chivalry. His road is not in the slightest bit smooth - before he can even compete, he must rescue the beautiful strong-willed Princess Jazira (Zuleikha Robinson). Hidalgo is clearly a great 19th Century saga in the sand!
Mortensen portrays Frank as a brooding sensitive cowboy. Known not only as an actor, but as a magnificent horseman and brilliant scholar, he is perfect for the role. Our history teachers may mention the Battle of Wounded Knee in history class, but the sorrow on Mortensen's face reflects the tragedy. Likewise, it is a sheer treat to see lifelong horseman Mortensen and Hidalgo, who is played by his own stallion, gallop across the grueling landscape throughout the movie. In The Lord of the Rings, there are many glorious scenes showing Mortensen, as Aragorn, swiftly and magnificently riding his other stallion, but as Frank, Mortensen captures the very essence of a man who has devoted his entire life to the world of horses. Indeed, the word "chivalry" is related to horsemanship because it comes from the Latin word for horseman: "caballarius". If anyone could bring back the romance and the excitement of the Western, without detracting from the tragedy and injustice that occurred throughout the 19th Century, it is Mortensen, and I look forward to seeing him in the newly-released Western Apaloosa.
Anyone who loves horses would probably love to see Hidalgo over and over again!
What's great about it: The plot is far deeper than what is usually considered in a Western
What's not so great: There is nothing negative to say about this movie.
I would recommend this to a friend!
+4points
4of 4voted this as helpful.
 
Gillian Armstrong's 1994 adaptation of Louisa May Alcott's beloved novel is given an attractive presentation in this special edition DVD release. Little Women has been given a letterboxed transfer to disc in the widescreen aspect ratio of 1.85:1, which is also enhanced for anamorphic playback on 16 x 9 monitors. The original English-language audio has been remixed for playback in Dolby Digital 5.1; a two-channel Dolby Surround mix is also included, as well as dubbed Dolby Digital Stereo tracks in Spanish and Portuguese. Optional subtitles are featured in English, Spanish, Chinese, Portuguese, Korean, and Thai. Bonus materials include a commentary track from director Gillian Armstrong, a pair of deleted scenes, two trivia games, a short documentary on the making of the picture, an insolated audio track featuring Thomas Newman's musical score, a gallery of the film's costume and production design sketches, biographies of the film's leading cast and crew, a timeline of events pertaining to the book and its film adaptations, and a copy of Alcott's original novel.
 
Customer Rating
5 out of 5
5
Little Women: A Pre-Raphaelite Masterpiece
on October 3, 2008
Posted by: Galadrielle
from Southern California
While I have seen many other versions of Little Women, I believe this is the best I have ever seen because it shows the Pre-Raphaelite philosophy, which is a pulling away from the corsets and restraints of the Victorian era.
As Jo, Winona Ryder is very lively and spunky, yet we see her frustrations with the social norms of the day. When the March family gathers around the new piano on Christmas Day and sings "Deck the Halls," Ryder boisterously shouts out "Merry Measure", which I found very refreshing. We see her romp about with her best friend Laurie (Christian Bale) who just so happens to be male, and slowly fall in love with the poetic Freidrich (Gabriel Byrne). After not having seen Laurie for a while, we see the genuine joy in Jo's face when he makes a surprise visit - with his bride, who is none other than Jo's sister Amy! Jo is completely delighted to have her childhood friend as her brother-in-law!
Bale is a fun, joyous, romantic, and ever-so-slightly batty Laurie. He loves Jo the way he would love a little sister, but his heart clearly belongs to Amy (Samantha Matthis). While we now see him on the silver screen as Batman, he is far from being a brooding dark knight in shining armor - he runs out and grabs happiness with both hands!
Gabriel Byrne, who plays King Arthur's father Uther Pendragon in Excalibur, and the swashbuckling D'Artagnan in The Man in the Iron Mask, captures the very essence of the Pre-Raphaelite movement as the poet/philosopher Friedrich, Jo's true love. As her literary talent emerges, we see him encouraging her to be, and write, as herself, at one point, making sure she uses her real name - Josephine - rather than the name she has been using on her works - Joseph. Rather than make Jo into something pretty and sweet and dainty, he embraces her spunky spirit and sharp intellect.
Susan Sarandon brings Abigail "Marmee" into a starring role as she imparts feminist wisdom to her three daughters and challenges those who try to make them conform to the rigidity of society. Likewise, Kirsten Dunst and Samantha Matthis together team up as Amy, the artist in the family, keeping in mind that one of the best things about the mid to late 19th century is its painting! Both Dunst, as younger Amy, and Matthis, as older Amy, show that passion for beauty that is carried through the brush and onto the canvas.
Unfortunately, Claire Daines is too strong and to vibrant as the delicate little girl Beth. She also looks far too old to play this sweet dainty child, who ultimately dies. While the ideal Juliet in Romeo and Juliet, for which she was far better suited, I did not see Daines, as Beth, struggle with her handicaps and illnesses. Strong actors such as Olivia de Havilland as Melanie and Tom Hanks as the AIDS-stricken hero of Philadelphia have excelled in playing characters with physical difficulties, but Daines, sadly, somehow was not convincing enough. Perhaps some artistic liberty could have been taken, as was done in the previous Little Women starring Katharine Hepburn as Jo, and the very young Margaret O'Brien as Beth, by making Beth the youngest of the four March sisters and perhaps using the talented Dunst instead.
Rounding off this charming re-telling of the cherished tale are Trini Alvarado and Eric Stolz as the eldest March sister Meg and her beloved John Brooke. This movie shows how their love flourishes even in the face of the harsh criticism Meg receives for marrying a poor man.
Mary Wickes, whom we know and love as the tone-deaf singer Sister Mary Lazarus in Sister Act, is a vibrant and feisty Aunt March, who, while trying to impose convention onto this unconventional family, and failing miserably, shows a great joy and a great unconditional love for them, eccentricities and all!
This is truly a lovely and charming movie, best seen at Christmas time - or, at least for me, any time!
What's great about it: This movie really shows more insights into the beloved Civil War tale!
What's not so great: Claire Daines looked too healthy to convincingly play Beth.
I would recommend this to a friend!
+2points
2of 2voted this as helpful.
 
The greatest blockbuster of Hollywood's golden era has been given an epic-scale presentation on DVD for this special edition release. Gone With the Wind has been transferred to disc in its original full-frame aspect ratio of 1.33:1. The audio appears in two formats -- the original single-channel sound mix has been mastered in Dolby Digital Mono, while a new surround sound mix is presented in Dolby Digital 5.1. In addition to the original English-language soundtrack, a dubbed French track has also been included, as well as optional subtitles in English, French, and Spanish. Movie historian Rudy Behlmer provides an optional commentary track for the movie, while this set also includes two discs of supplementary materials, including a documentary on the making of the film, extensive profiles of stars Clark Gable and Vivien Leigh, an interview with co-star Olivia de Havilland, biographies of the supporting cast, a look at the film's various international releases (as well as a special prologue created for overseas releases), newsreel footage from the film's premiere, trailers for the picture's various releases over the years, and a listing of the many awards won by the movie.
 
Customer Rating
5 out of 5
5
Southern Grace is Never Gone With the Wind
on October 2, 2008
Posted by: Galadrielle
from Southern California
This tale, like the heroine Scarlett herself, stands as strong as it did in the 1930's. Vivien Leigh is the strikingly beautiful Southern belle, of Irish descent, whose resilience and courage withstands the ravages of the Civil War. We watch her as she yearns for the inaccessible Ashley Wilkes (Leslie Howard) and throws away her happiness with the man who loves her, that rascally pirate Rhett Butler (Clark Gable) with both hands.
Hattie McDaniel is stellar as Mammy, who loves Scarlett unconditionally as if she were her own daughter, and who is saddened when Scarlett gives in to her own selfishness, often with tragic consequences. We see McDaniels reflect Mammy's fierce intense spirituality in her eyes throughout the entire film, and, when, frustrated with Scarlett's wrongdoings, she kneels down and prays. This spirituality is rare in any movie character, and I believe another classic example of this occurs practically 60 years later in Lord of the Rings, when Aragorn (Viggo Mortensen) stands before his risen lord Gandalf.
Howard is a brooding melancholy, courageous, yet troubled Ashley who bravely admits to Scarlett that, had the slaves not been freed after the War, he would have freed his own slaves anyway. Indeed, Ashley is better off doing menial tasks than working in the fancy office job Scarlett has given him!
Olivia de Haviland, shines as the compassionate, loyal, yet physically frail Melanie, Ashley's wife. Classic screen legend Clark Gable is dashing as Scarlett's true love Rhett Butler.
We must also be aware that Gone With the Wind is much more than a romance or a war story. It also provides some insight into the Irish culture, and Scarlett's heritage is a key factor in the whole tale. In the book, we learn that Scarlett's father Gerald (Thomas Mitchell) himself was a slave back in his native Ireland! He proudly trains up his daughter to be proud of her ancestry and to maintain strength in the face of adversity. Even after we see him after the War, his mind having snapped, he is still able to impart great Irish wisdom.
The only flaw this movie has is that two important book characters are missing, namely Scarlett's little son Wade, who is also Melanie's biological nephew, whom Melanie practically raises because Scarlett cannot be bothered with him. Wade is a link between Scarlett and Melanie whose presence in the movie would have made an already great film even greater. Also missing is Scarlett's level-headed brother-in-law Will, who is a comfort and stabilizing influence to Scarlett's entire family.
Gone With the Wind has truly deserved its status as one of the greatest movies of all time!
What's great about it: Everything about this movie is great!
What's not so great: Two significant characters in the book do not appear in the movie.
I would recommend this to a friend!
+1point
1of 1voted this as helpful.
 
Customer Rating
2 out of 5
2
"Always Winter and Never Christmas" - C.S. Lewis
on October 1, 2008
Posted by: Galadrielle
from Southern California
Blackmore's Night has been my favorite band ever since I first heard about them in Renaissance Magazine. When they released this Christmas CD, I dashed through the rain to get it and popped it into my stereo. Indeed, Ritchie Blackmore and Candice Night are up to their high caliber of music, with Blackmore's delightful Renaissance spin, complete with hurdy gurdy, on each and every Holiday Song. Night's angelic voice, once again, was a sheer delight. Only at the end of "Hark the Herald Angels Sing" did I learn that this is not just another lovely Christmas album - something went dreadfully wrong with the lyrics when, instead of hearing lyricist Charles Wesley's "Christ is born in Bethlehem," I heard "Peace has come to Bethlehem." Sadly I wondered if peace has ever come to Bethlehem.
Similarly, the most important verse in "I Saw Three Ships" was glaringly omitted: "The Virgin Mary and Christ were there, On Christmas Day, On Christmas Day, The Virgin Mary and Christ were there on Christmas Day in the Morning." Without the Virgin Mary and Christ on board one of those ships magically sailing into a city that is completely far away from any seaport, the Christmas carol has lost its splendor.
I thought there was hope for "Good King Wenceslas," which starts out like a grand medieval Christmas banquet for the ears with those splendid instrumentals, but then the lyrics, (originally written by Charles Dickens' contemporary Father John Mason Neals) go dreadfully wrong when the good king asks his page to bring him bread and wine, not food and wine. Again, I see no sense at all - how can a poor man be made happy when his king gives him only bread, and not something more substantial, which is how I felt as I continued to listen to the lyrics.
I have saved the worst for last: "We Three Kings." I believe there are three ways of performing it - either just the first verse, which is the prettiest part of the carol, or not at all, using only instrumentals for that hauntingly beautiful melody, or, as I prefer it - in its entirety, as it was written in 1863, by Pennsylvania priest John Henry Hopkins, as a carol of hope, when our country was in the throes of a brutal Civil War! Instead, Blackmore's Night remains faithful to the gold and to the frankincense, but replaces the myrrh - and the last verse, which tells the Easter Story, with instrumentals, as if the words somehow have been erased. Here are Hopkins' words (from Wikipedia): "Myrrh is mine: Its bitter perfume Breathes a life of gathering gloom. Sorrowing, sighing, bleeding dying, Sealed in the stone-cold tomb. " Hopkins ends his carol with Christ's all-powerful Resurrection and triumph over death, complete with "Alleluia! Alleluia" that is shouted loudly in church every happy Easter Day: "Glorious now behold Him arise, King and God and Sacrifice. Alleluia, alleluia! Sounds through the earth and skies." I could easily imagine Candice Night singing this spectacular original ending to the carol, and Ritchie Blackmore pulling out all the stops in a grand fanfare. It is a grave pity that they do not. Blackmore's Night is still my favorite group, but a wise man, or a wise woman, in search of a Christmas album full of Renaissance flavor might be much better off looking in the classical section, where they may find some actual Renaissance carols!
What's great about it: The music is excellent.
What's not so great: Many of the lyrics have been changed and have lost their magic!
No, I would not recommend this to a friend.
+2points
2of 2voted this as helpful.
 
From its opening multi-language titles (that sure looks like Swedish) to the closing arrest of the entire Dark Ages cast by modern-day bobbies, Monty Python and the Holy Grail helped to define "irreverence" and became an instant cult classic. This time the Pythonites savage the legend of King Arthur, juxtaposing some excellently selected exterior locations with an unending stream of anachronistic one-liners, non sequiturs, and slapstick set pieces. The Knights of the Round Table set off in search of the Holy Grail on foot, as their lackeys make clippety-clop sounds with coconut shells. A plague-ridden community, ringing with the cry of "bring out your dead," offers its hale and hearty citizens to the body piles. A wedding of convenience is attacked by Arthur's minions while the pasty-faced groom continually attempts to burst into song. The good guys are nearly thwarted by the dreaded, tree-shaped "Knights Who Say Ni!" A feisty enemy warrior, bloodily shorn of his arms and legs in the thick of battle, threatens to bite off his opponent's kneecap. A French military officer shouts such taunts as "I fart in your general direction" and "I wave my private parts at your aunties." Rabbits are a particular obsession of the writers this time around, ranging from the huge Trojan Rabbit to the "killer bunny" that decapitates one of the knights. Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin collaborated on the script and assumed most of the onscreen roles, while Gilliam and Jones served as co-directors.
 
Customer Rating
5 out of 5
5
King Arthur Commands You to - Laugh!
on September 29, 2008
Posted by: Galadrielle
from Southern California
From the country that brought us King Arthur, Shakespeare, and the Beatles, we are pleased and honored to have this great masterpiece of silly English humor! This parody of the King Arthur legend is silly and fun, and even has some of that crazy bathroom humor that is so good and outrageous. King Arthur is played by comic genius Graham Chapman, M.D., whose medical degree is from Cambridge University!
This zany comedy blends, or rather smashes together, sharp exquisite cinematography worthy of a serious movie and authentic-looking medieval - and a few 1970's - costumes with wild and wacky non-stop jokes, fun songs, and the Knights of the Round Table dancing the can-can!
The Extras section, on an ever so slightly serious note, has some great background video footage, complete with shots of a rather beautiful English castle, and some fun trivia quizzes.
If laughter is, indeed, the best medicine, then Monty Python and the Holy Grail is clearly what the doctor ordered!
What's great about it: I laughed throughout the entire movie!
What's not so great: There is nothing bad to say about this movie!
I would recommend this to a friend!
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The DVD release of the TNT presentation The Mists of Avalon certainly looks good; with a widescreen format and a theatrical aspect ratio, it's as visually appealing as any film originally intended for the cinema, even though Mists was a television release. The colors are crisp and clean, and the sound is more than decent; some muddling of dialogue probably occurred in the original recording. The DVD includes chapter selection, an especially welcome feature for a film as long as this one. The DVD is somewhat skimpy on the extras, suggesting a rushed production. There is no commentary, nor any explicit connection to Marion Zimmer Bradley's novel, of which this miniseries is an adaptation. Language tracks include English and French, with subtitling in English, French, Spanish, and Portuguese. Of the extras indicated on the package, the cast and crew profiles appear to be incomplete; only some of the names listed in the menus are actually profiled. Costumes and storyboards are interesting, but include no explanatory text, and navigation is somewhat counterintuitive. The additional scenes are also interesting, though there is no scene selection feature here, you can only let them play through. The family tree indicated on the box does not appear to have made it into the final product.
 
Customer Rating
5 out of 5
5
Majestically Striding Through the Mists of Avalon
on September 28, 2008
Posted by: Galadrielle
from Southern California
The Mists of Avalon follows Marion Zimmer Bradley's book very closely and faithfully. Bradley is not trying to be Sir Thomas Mallory, but rather, she tells the tale from a Wiccan perspective, with Morgaine, rather than Arthur, as the hero. I found this refreshing, and the quest for religious freedom is a very important theme in both the book and the movie. We are so used to seeing Morgaine as a villain, but here she is a cleric who seeks religious freedom and respect, not for herself, but for all people.
I was offended by the brief blasphemous scene at the beginning of the movie in which both a crucifix and a statue of the Wiccan Goddess are defaced by enemy raiders, but this troubling scene showed the importance of the world's need for religious tolerance and religious freedom.
Anjelica Houston shines as the stern no-nonsense Viviane, the Lady of the Lake. Here, Viviane is the "Voice of the Mother Goddess on Earth", apparently a Wiccan equivalent to the Pope or the Archbishop of Canterbury. She chides her sister Morgause (Joan Allen) with some very good advice: "No man or woman can live another's fate." There is an underlying gentleness beneath her iron hand, but everything she does has a strong purpose, and she shows great respect for the Christian priests and for the Christian religion. Her father Merlin (Michael Byrne) also gives some great wisdom by telling his young grandchildren Arthur and Morgaine "Sometimes what you want to do and what is right to do are different things."
Julianna Marguiles, who looks somewhat like Katharine Hepburn, is a very strong and powerful Morgaine. We see how Morgaine struggles with her destiny as a Priestess and her desires as a human, and rejoice with her as she rides about the countryside with her beloved husband Uriens (David Calder). After he dies, she continues to be faithfully loyal to her purpose in life.
Michael Vartan is the best Lancelot I have seen, as he is a fun-loving, but wise, prince who just so happens to be Vivienne's son - and Merlin's grandson! Rather than prancing about and brandishing his sword and trying to prove his love for Guenevere, he is genuinely sensitive, kind, and loyal - the way I imagine Lancelot in both Mallory's and Bradley's telling of the tale. Likewise, Samantha Matthis is a very graceful Guenevere.
The movie is clearly set in ancient, rather than medieval, England, and the costumes and sets show a ruggedness that we do not normally see in a King Arthur movie. I believe this enhances the story by making it probably the most believable Arthur story I have ever seen.
I found the entire movie thought-provoking, breathtaking, well-written, well-acted, and meticulously faithful to Bradley's book. It is utterly magnificent!
What's great about it: The scene in which Arthur fights, and welcomes, Lancelot is the absolute best I have seen in any King Arthur movie.
What's not so great: There is a brief scene containing blasphemy, but I believe it is essential to the plot.
I would recommend this to a friend!
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