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  • Review count
    11
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  • First review
    October 31, 2008
  • Last review
    November 14, 2008
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  • Average rating
    4
 
  • Review comment count
    1
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  • First review comment
    October 26, 2015
  • Last review comment
    October 26, 2015
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lucidhysteria's Reviews
1 2 >>
 
Customer Rating
5 out of 5
5
Some of their all-time best work
on November 14, 2008
Posted by: lucidhysteria
from Alabama
I've been a fan of Blindside since their self-titled debut, so naturally, when I heard they had signed onto a major label I was a little wary of what might be in store, considering the effect that often has on even great bands (Guitar parts start getting simpler and more power-chord-oriented, melodies become bland and the songwriting uninspired, and the lyrics become laughable).
Thankfully, driving home the night I bought this, I discovered a completely different scenario. Admittedly, the music was more commercially accessible (MUCH more), but it did not seem to me that they had sacrificed any of their creativity or musical brilliance for it. And even though I loved their earlier music, it wasn't bad to have some more melody in the music, as well. I have to say that they handled this next step in their musical evolution well, hitting hard right out of the gate with "Caught a Glimpse" and "Pitiful" (two of the best on the album) and keeping it up until the haunting album-closer, "Silence." Despite any fluctuations in style, these songs still have the Blindside touch all over them, with innovative instrumentation and relentless creative energy.
Another thing I really appreciate on this album is the lyrical clarity and emotional weight of some of these songs (especially "Pitiful," "Caught a Glimpse," "Silence," and "Cute Boring Love") - their songwriting shines not only musically, but also in their words (consistent with their first two albums, which also had their share of memorable lyrics). I can still tell what they're singing about on this one, and they're still singing about a hunger for Christ even on this major label debut (something a lot of bands drop at the door, seemingly without a second thought).
The album does have its weak spots (and as a whole, I don't think their second album ("A Thought Crushed My Mind") can be topped), but the caliber of songs like "Caught a Glimpse," "Pitiful," and "Midnight" more than make up for it - and even the songs that I would classify as "weaker" are still much better than much of what you'll hear from other bands in the genre.
What's great about it: Energetic, unique tunes that showcase the band's talent, More musical diversity than their previous albums
What's not so great: A few songs seem like "filler" compared to some of the more brilliant tracks
I would recommend this to a friend!
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Customer Rating
4 out of 5
4
Not a bad album, but definitely their weakest
on November 13, 2008
Posted by: lucidhysteria
from Alabama
First of all, this is a Blindside CD, so there aren't really any songs I would call bad (though my least favorite would probably be Shekina), but unlike all their other releases, there aren't really any songs on here that truly stand out to me, either. From a technical standpoint, there's nothing I can really pinpoint as wrong with them, they're just... well, they're fine. That's about it. I feel like this is definitely their most commercial-sounding album (at the time of writing, they're up to The Black Rose EP), and as such, it just seems like the creativity and that special "Blindside" quality is scaled back a bit more. The songs run together somewhat.
With all of that being said, it would seem like I think this is a bad album, but that's not it at all. It's just not a great album - especially compared to their other work, but even on its own, I wouldn't consider it outstanding in any sense.
If you're already a fan, it's probably worth your money, but otherwise, I would start with "A Thought Crushed My Mind" or "Silence."
What's great about it: Nothing really to complain about
What's not so great: Nothing really to be abnormally excited about
I would recommend this to a friend!
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Customer Rating
4 out of 5
4
Great album from an underrated creative powerhouse
on November 12, 2008
Posted by: lucidhysteria
from Alabama
I've been a fan of Blindside since the release of their debut self-titled album on Tooth & Nail, and to their credit they've kept me interested at a point in their careers at which other bands would have long since abandoned creativity and the pursuit of interesting songwriting and began to sound suspiciously like everything else on the radio (I hate to always cry "sell-out," but this has happened to formerly great bands more times than I care to count).
While there are, admittedly, some fans who do resent the direction the band has gone (which is certainly more commercially viable), they continue to do their own thing, and, though I confess that the early stuff is my favorite (it would be nearly impossible to top "A Thought Crushed My Mind"), they continue to impress me with music that is unique and inventive, always exploring new musical territory. These guys are not only great songwriters, but great musicians - I can think of very few bands where the pieces fit together so well, where no instrument seems to be there just as a filler.
This high praise is not without exception - there are a few on here I skip ("Put Back the Stars" and "You Must Be Bleeding Under Your Eyelids," mostly). And lyrically speaking, I think they've seen better days; that's an area where they really excelled with the first three albums (though I haven't really tried to dissect them that much on this album).
Overall, though, I am impressed that they're still making music this good after signing onto a major label (and then parting with said label, if I recall), and I look forward to more musical goodness from these guys in the years to come.
What's great about it: Catchy, energetic and original music, A good deal of diversity on one album
What's not so great: I could have done without a couple f tracks, and I miss the relative lyrical clarity of much of their earlier music
I would recommend this to a friend!
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Customer Rating
3 out of 5
3
Not great, not terrible
on November 10, 2008
Posted by: lucidhysteria
from Alabama
If I had to make a snap decision, I would say this is definitely a better album than her latest full-length release, "Chaotic Resolve," but not nearly on par with the self-titled debut or its follow-up, "Candycoatedwaterdrops."
Songs like "Sink N' Swim," "Walk Away," and "Unnoticed" are quite good, actually, as far as radio pop goes, but even the best songs aren't really anything special, and I don't think there's anything on here I would really miss if I didn't own it.
If you're getting into Plumb, my advice is to start with the early stuff (and maybe just stay there).
What's great about it: A couple of songs are decent enough: Sink N' Swim, Walk Away, Free, Unnoticed
What's not so great: Overall, the songwriting just isn't as strong as before
No, I would not recommend this to a friend.
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Customer Rating
3 out of 5
3
Plumb has seen better days
on November 9, 2008
Posted by: lucidhysteria
from Alabama
When I first heard a taste of this new album I was pumped, thinking that Plumb was returning to her roots and we might get something akin to the first Plumb album. I was wrong.
This album is not terrible, if you like somewhat silly radio-friendly "heavy" pop, but it doesn't really go any deeper than that, whereas in the early days (the first two Plumb albums), I would cite a much higher level of creativity, a much greater caliber of songwriting (particular highlights being "Don't Turn Around," "Drugstore Jesus," "Candycoatedwaterdrops," "Stranded," "God-Shaped Hole" and just about any from the first CD, really). It was still pop or pop/rock, but you felt that it was at least made by real musicians.
Releases like "Chaotic Resolve" have "session musicians" written all over them - not that there's anything wrong with session musicians, either, but my point is that this album (like her third, "Beautiful Lumps of Coal") just lacks that cohesive "classic" quality that keeps her first two spinning in my CD player. In trying to market her for a "new generation," it just seems like they've put her through the same blandness-inducing machine that most other Christian radio music goes through.
What's great about it: Lots of tracks, Several songs have that catchy "radio" quality
What's not so great: There's not much depth here, cheesy lyrics, lack of diversity & creativity in music
No, I would not recommend this to a friend.
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Customer Rating
4 out of 5
4
Not the best, but definitely not the worst!
on November 7, 2008
Posted by: lucidhysteria
from Alabama
[MAY CONTAIN SPOILERS]
First of all, let me say that I think season 8 is too often automatically dismissed by fans simply because of Mulder not being around so much, and believe me, no one's a bigger Mulder fan than myself, but to be honest, season 7 was stale, and at this point in the show, I would agree with Duchovny's attitude at the time, that there really wasn't much left for the characters to do. All of their major story arcs had been more or less resolved, and while 7 had its highlights, the "magic" was, in a tangible sense, gone.
That being said, what better way to totally shake up your show than to have one of the two main characters gone for half of the season?! Even those who ended up hating the result were probably there every week wanting to find out what was going to happen - I know that's the sense I had, and that's one of the best things season 8 has going for it; it broke the mold and took some risks, and I think this alone made it MUCH more interesting than the bulk of the season before it.
It starts off, in my opinion, the best way it possibly could - those personal scenes with Scully coming to grips with what has happened while that haunting season 8 music says more about her situation than any dialogue could have. The introduction of John Doggett and the gradual progression of their relationship was expertly done, I thought, and he was the best thing that could have happened to the show, under the circumstances.
Robert Patrick's top-notch acting aside, Doggett's character - while a challenge to Scully in their paranormal investigations - almost immediately became one of the pillars propping Scully up during this dark time, a loyal protector when she needed it most in a way that Mulder never really was (his curious wrecklessness put her in harm's way more often than not). It was a very cordial relationship, to be sure (instead of the "Mulder" and "Scully" personal casualness she shared with her old partner, John Doggett was always "Agent Doggett" to Scully, and she was "Agent Scully" to him - there was a clear respect for each other on a deep level (even despite serious differences regarding the work), but they kept their relationship professional and platonic at all times).
Gillian Anderson also does a great job, as usual, evolving Scully's character and taking the viewer along on this bizarre journey.
Even so, the stories themselves are somewhat hit and miss. I tend to think they "hit" more than they missed in this season (highlights include "Within," "Without," "Patience," "The Gift," "Three Words," and "Essence"/"Existence," which probably should have been the series finale - oh, and the worst of the bunch would have to be "Surekill" and "Salvage"; the rest are somewhere in the middle). But what's strange is that, to me, the writers were doing a much better job in the earlier part of the season, before Mulder returns. As soon as he's back - when we should be cheering contentedly - I find that I cannot help but feel this is not the Mulder we know and love, that even though there are some good bits here and there (the season finale, while I have gripes about parts of the plot, is pretty much the last feeling of "classic X-Files mytharc episode fun" you're going to get for the series, what with all the late nights and parking garages) the soul of the show really is gone, at this point (this is the same problem I have with Scully in season 9 - she's just not herself. She becomes bland and lifeless much of the time, but then, that's pretty much the vibe of the whole ninth season).
There's a lot more to talk about (Kersh is back! The only season without Smoking Man, what the heck is the deal with the baby? Why is Reyes so annoying?), but I'll leave the rest up to the viewer.
Overall, I recommend this as, if nothing else, a fascinating case study on how a show can try to adapt when the basic formula for its success is drastically altered. You'll see some laudable achievements as well as some staggering examples of lackluster lethargy, but overall, I think this season deserves a lot more credit than it receives. For the most part, it managed to retain that elusive "X-Files" quality that made the show so great, and it as a whole, it's a lot more fun than a show in this tricky situation should be!
What's great about it: John Doggett!; the new dimensions of Scully and her dealing with Mulder's absence; intriguing shift in the story
What's not so great: Scully's baby & the Super Soldiers never really pan out; When Mulder returns, he's not himself
I would recommend this to a friend!
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Customer Rating
2 out of 5
2
Great band - weak first effort
on November 5, 2008
Posted by: lucidhysteria
from Alabama
ELO would go on to produce some of the most creative and classic music of their era(s), but this early effort leaves much to be desired. Certainly, there are highlights, such as the first track, "10538 Overture," but in general, there is just too much going on. They try to fit in every genre and musical variation possible, but the songwriting isn't tight enough yet to support it.
If you're looking for ELO, check out "Time" or "Discovery" or "Out of the Blue." Save this one for the die-hard fans.
What's great about it: Not much - it shows flickers of the potential of what ELO would become, but not more than that
What's not so great: The songs are all over the place - at this point, they really didn't know how to reign in all their creativity
No, I would not recommend this to a friend.
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Customer Rating
5 out of 5
5
Not perfect, but so much better than Lester's film
on November 3, 2008
Posted by: lucidhysteria
from Alabama
This is an amazing release in many respects - most of all because I don't know of any other film in history that has been in this exact situation and actually had such a major overhaul long after its release in order to restore it to the film that the studio is more or less admitting SHOULD have been released instead of what Superman II actually became.
To start off with, the Jor-El scenes actually make much more sense of the whole arc of this movie (SPOILERS!!), in there is a logical reason why Superman is able to gain back his powers in this version (a touching reason - as much as a superhero film can be "touching" - that fully connects this to the first movie in a way completely lost in the Lester version), and his own humanity and heartbreak over these decisions comes through much more effectively here (again, as much as it could in a superhero movie).
Second, many of the other Donner scenes simply far surpass the Lester version in quality and enjoyability - the opening scene comes to mind, as well as the "screen test" scene and the resolution of the conflict at the end, in the Fortress of Solitude (the removal of Superman's magic "S"-throwing antics is worth the price of the DVDs by itself)..
And thankfully - oh so thankfully - as much Lester footage has been removed as the plot would allow (including almost ALL of the super-annoying sitcom-worthy bit when the villains show up in that small redneck town).
Unfortunately, most or all of the fight scenes in downtown Metropolis were filmed by Lester, and a significant enough portion of other scenes to keep this from being a 5-star film (and I can't say that even all of the Donner footage holds up as well as most of the first film did). And, again, the reusing of the turning-back-the-world ending is a major cop-out (as it was in the first movie), but there's not much that could be done about it here, I suppose (especially considering this was supposed to be the ending of the second film before they decided to use it for the first and just figure out what to do with the second film later).
Overall, however, the film is much, much improved, and the bonus materials are great to have, as well - including a short featurette on the process of restoring the film to as close to Donner's original vision as possible, several deleted/alternate scenes, and (my favorite), a brand new commentary track from Richard Donner and Tom Mankiewicz that sheds much light on how it was supposed to be and how things unfolded.
In the end, while it's still far from perfect, this is a welcome addition to my collection, and it totally eliminates the need to own the Lester version.
What's great about it: The Jor-El scenes and other "lost" Donner footage, the removal of as much of Lester's junk as possible, & the extras
What's not so great: The remaining Richard Lester material and the reuse of the turning-back-time ending
I would recommend this to a friend!
+2points
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Disney DVD gives their sprawling swashbuckler a feature-packed release that is sure to give both your DVD player and PC a workout. Presented in its original 2.35:1 aspect ratio, the film transfer is nothing short of perfection. While some may doubt the ability of such a large-scale film to transfer suitably to television, the sharp image and beautiful colors do so with ease and grace. From the creepy moonlit scenes to the sparkling treasure cave, the colors are bright, vivid, and spectacular. With sound options that include THX-optimized DTS and Dolby Digital 5.1 Surround, Disney DVD has offered viewers a vivid soundscape that perfectly compliments the visual presentation. The DTS soundtrack, in particular, will have viewers ducking under their coffee tables to avoid cannon fire. It seems only once or twice a year that a DVD comes along that truly redefines what can be accomplished on the format, and this is no doubt one of those discs. This release of Pirates of the Caribbean is virtually overflowing with great extra features, and viewers may need a free weekend just to navigate their way through its wealth of materials. Starting off with three separate commentary tracks, viewers will likely want to start with director Gore Verbinski and star Johnny Depp's amusing and informative recollection of the film's production. Though it may not be the most technical commentary, the two play well off of one another, and the result in an interesting and informative track. Producer Jerry Bruckheimer provides a bit more detailed take on the production, and stars Keira Knightley and Jack Davenport check in with what is definitely the most amusing commentary track. It's obvious that the two stars are comfortable with each other, and hearing them joke around as they recall the exhausting shoot is a blast. Writers Ted Elliot, Terry Rossio, Stuart Beattie, and Jay Wolpert's commentary provides notable insight on how the screenplay changed from draft to draft (and script to screen), though one gets the impression that they're stepping on each other's toes a bit to get a word in, and the result is a bit crowded. "An Epic at Sea: The Making of Pirates of the Caribbean" checks in at about 40 minutes and covers everything from location scouting to the spectacular Disneyland premiere of the film. "Fly on the Set" takes a look at both the director in action and how the filmmakers managed their many cinematic feats and sleights of hand. If one wishes to explore the life of actual pirates they need look no further than the "Below Deck" feature, which actually takes viewers aboard a pirate ship to explore the true-life tales of history's most notorious seafaring scallywags. From Blackbeard to Sir Francis Drake to women pirates and Chinese pirates, this informative feature utilizes interviews with maritime historian David Cordingly and film clips and is one of the most fascinating and insightful features on the disc. The accompanying feature, "A Prisoner's Last Tale," also speaks with Cordingly to provide detailed insight on the day-to-day life of a pirate. "Diary of a Pirate" consists of a "Producer's Photo Diary" (which is also narrated by Bruckheimer), a video journal by star Lee Arenberg and a detailed study of the brig Lady Washington (which served as The Interceptor in the film). Deleted scenes mostly offer a more intimate look at the characters, and a blooper reel collects some of the most amusing on-camera flubs. After viewers take a detailed look at one of the film's most entertainingly frightful scenes in "Moonlight Serenade," an image gallery offers production sketches, storyboards, and production and publicity photos. The vintage promotional short "Pirates in the Park" takes them on a nostalgic ride through the actual Disneyland attraction. If viewers aren't entirely exhausted by this point, the DVD-ROM features are sure to do them in. From an effects studio to a virtual reality viewer and storyboard viewer, these intense interactive features will truly put your home PC to the test (the DVD-ROM features will not work on Macintosh computers). From the serious film student to the curious youngster, this release has something for everyone. A must-have for DVD fanatics and fans of the film alike.
 
Customer Rating
5 out of 5
5
Excellent DVD treatment of an excellent film!
on November 2, 2008
Posted by: lucidhysteria
from Alabama
Not much needs to be said about this film, which most will agree is a modern classic, but I should point out (for those who haven't bought the DVD) that it also has bonus material worthy of such a classic, including plenty of featurettes, deleted scenes, and some very worthwhile commentary tracks!
I usually don't buy a movie unless I feel it has tremendous re-watch value - this is one of the relative few that have qualified in recent years, and the bonus features, thankfully, meet the same high standards.
What's great about it: Great movie packed with about as many bonus features as anyone could ask for.
I would recommend this to a friend!
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Customer Rating
4 out of 5
4
If you're new to Tourniquet, skip this one.
on November 2, 2008
Posted by: lucidhysteria
from Alabama
While this album is still a good listen if you're a fan of a certain type of metal, and while lyrically they are staying true to their love of Christ, the music just pales in comparison to the sheer breadth of the brilliance found on more or less every other Tourniquet endeavor. Several songs stand out as highlights, including the title track and others such as "Drawn and Quartered" and "A Ghost at the Wheel," but overall, I wouldn't have minded if a few tracks had been left off and it had been released as an EP instead (including, say, tracks 1, 3, 4, 8, and 9, beefed-up substantially with more layers of guitar parts and other nuances).
Legendary drummer Ted Kirkpatrick definitely still delivers, keeping things fairly interesting and frantic most of the way through (and exploring some new territory here and there), and making sure the drum-solo-to-song ratio is higher (and of higher quality) than the casual listener might be used to.
Vocalist Luke Easter also gives another excellent performance, although most fans will miss the shouting contributions from former guitarist Aaron Guerra (who rejoined later after having taken time away from the band to spend with his family).
This is the first album on which bassist Steve Andino appears (though he had played with them live long before it), and... there's not much I can say, as a lot of the bass doesn't really stand out in the mix (at least, not the full "body" of it, all thick and distorted as it has been in the past), but I'm sure he did a good job.
A lot of the lead guitar work is top-notch, as well, as it should be, considering that Marty Friedman (Megadeth) plays A LOT (including a trippy, several-minute-long guitar solo in "Healing Waters of the Tigris") and Bruce Franklin from Trouble joins in on a couple of tracks. Some fans, including myself, however, have whined that though the solo work is technically quite impressive, that doesn't necessarily mean it always "feels" like Tourniquet... but that's getting into fairly subjective territory.
My biggest problem with this album is the songs themselves. Some of them definitely stand on their own (as mentioned above), but for the most part, I feel like they fall short in a songwriting sort of way - especially given the epic quality of their work in the past.
But since much of my complaints would revolve around what I consider boring guitar parts throughout (often the rhythm guitar is just chugging power chords, with far less melodic variation and movement than we've come to expect from the band), I try to cut them some slack on this one, because, after all, they did record this one without an official guitarist, meaning the drummer handled all rhythm guitar on the album. And while Ted has played some mean rhythm (and lead!) guitar on past Tourniquet albums, my guess is maybe the crunch of having to write all the songs, play drums, co-produce, etc. left him with less of a luxury to embellish these songs to their full potential (a great example is the last track, "In Death We Rise," which melody-wise might have had the greatest potential - at least for my taste - on the album, but the finished product just doesn't quite get it, largely because... well, it sounds UNfinished. You can't hear the vocals at all, and the guitar sound doesn't really fit the doom metal style of the song. Plus, some more harmonies would have been great.).
So if you're a fan already, I'd give this one a try, but if you've never heard any Tourniquet before, I'd start with "Pathogenic Ocular Dissonance," "The Collected Works of Tourniquet," "Microscopic View of a Telescopic Realm," or, if you're not so much into metal but still into heavy music, "Crawl to China."
Now that Aaron's back in the band, I expect a full on assault of biblical metal awesomeness next time around!
What's great about it: Incredible drumming, high production quality, great guest musicians, & despite its flaws... hey, it's still Tourniquet!
What's not so great: The usual creativity & complexity in riffs/arrangements is sparse, some songs feel less fleshed out & more like demos
I would recommend this to a friend!
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lucidhysteria's Review Comments
 
Overall4 out of 54 out of 5
Good, not great.
By Zeus9699
I'm a huge Alice Cooper fan and decided to purchase this CD because of him and Joe Perry. No new songs...just covers.
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lucidhysteria
Alabama
There are a few new songs...
October 26, 2015
Hate to split hairs, but there ARE new songs — "Raise the Dead" and "My Dead Drunk Friends" (plus the Christopher Lee track, depending on how you want to classify that).
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