This fiber-optic cable combines high-grade materials and state-of-the-art technologies to deliver multichannel audio with spine-tingling detail.

The two-disc special edition of Star Wars Episode I: The Phantom Menace was a long-awaited item, but should keep both serious and casual Star Wars fans happy for a while, thanks to a slightly expanded version of the film and a plethora of extras. Disc one contains the film, transferred from a new print (as made clear by producer Rick McCallum some time ago). The transfer is anamorphic, at an aspect ratio of 2.35:1, and is quite simply gorgeous to look at. The image is crisp and clean throughout, with vivid and subtle colors both, and deep, detailed blacks. There is no sign of edge enhancement and no indication of compression artifacts. The original soundtrack was recorded in Dolby Digital Surround 6.1 EX, but has been downmixed to 5.1 EX for this release. Again, the soundtrack is flawless, with excellent surround effects, excellent separation, and beautiful mixing work. The directional effects alone are worth hearing. The standard Dolby Surround downmix sounds quite good, though it does lose the directional definition of the 5.1 EX mix. The disc also includes a Spanish Surround mix which deserves notice for a combination of an excellent voice cast and perfect matching. Disc one also includes an audio commentary by George Lucas and Rick McCallum, along with other crew members. This commentary is highly entertaining, informative, and helped tremendously by supertitles above the image that identify the current speaker. Disc two is simply packed. There are seven deleted scenes to start with, completed especially for this DVD release. Some are hardly worth looking at, but the expanded pod race is quite an eye-opener. The scenes can be viewed separately, or as part of a documentary. Other documentary pieces include "The Beginning," which is a new one-hour documentary, the 12 web documentaries originally carried on www.starwars.com, and five featurettes covering aspects of the production. Another section includes the teaser and theatrical trailers, TV spots (including the "Tone Poems" spots), and the "Duel of the Fates" video. There is also a section of animatics, and a further section of stills and graphic images. A featurette about the making of the Starfighter game completes the disc. All told, disc two alone takes hours to work through. Additional content is available through the www.starwars.com DVD section, which is accessible via the Interactual player/browser utility included on the disc. The feature has 50 chapter stops. Menus and transitions are animated, with some cute and funny moments to be found. Both discs are single-sided, dual-layered, and come in a slimline dual disc case.

20th Century Fox finally does right and delivers to Region 1 customers what Europeans have been enjoying for quite some time before this -- the two-disc Predator: Collector's Edition DVD! Save for packaging and some clips about the Alien vs. Predator knock-down-drag-out flick (which the disc was undoubtedly released to promote), the content is an exact transfer from the Region 2 disc that some region-free savvy customers have already indulged in. For many though, this stuff is all new -- finally, a disc that lives up to the blockbuster film that spawned a series. Also released in a full-screen edition, this disc comes with a superb anamorphic 1.85:1 widescreen image and both DTS and Dolby Digital 5.1 tracks. The audio tracks have taken a bit of heat in the past for minor annoyances (directional gunfire is a bit off), while the dialogue can be a tad on the soft side, though for the most part, the mix works and delivers where the goods count. Disc one comes with the film and two commentary tracks -- one with director John McTiernan and the other, a text commentary from a film historian and most of the main crew. McTiernan isn't known to be the most engaging fellow on earth, though if you can get past his sullen mood, then there will be plenty to learn from this aging director as he looks back on his second feature. Disc two is packed with extras that every Predator fan will love, starting with the 30-minute "If It Bleeds, We Can Kill It" documentary. With interviews spanning almost the entire cast and crew, the grueling behind-the-scenes tales of the production are fleshed out in extreme detail -- from the catastrophe of the original monster costume (worn by none other by the "Muscles From Brussels" himself, Jean-Claude Van Damme!) to the sweltering heat and jungle infections, it's one heck of a tale and a nice documentary to boot. Seven featurettes are listed in the "Inside the Predator" menu, each ranging from tributes to Kevin Peter Hall (the big man inside the suit) to good old "Painless" -- Jesse Ventura's Gatling gun. With even more sections dedicated to the FX of the film (including some brief glimpses of the first suit -- Ouch!), one deleted and basically unneeded scene for you to chew on, some outtakes, and a flurry of galleries for you to enjoy, there's more than enough extra stuff on this disc to make it worthwhile. Add in the trailer, and you have one massive two-disc with enough on-set interviews and hidden Easter eggs to keep any film buff occupied for an entire afternoon.

Curtis Hanson is such a talented filmmaker, it's really too bad that more content isn't added to his movies on DVD. As with L.A. Confidential, this disc doesn't go far enough. An extensive documentary on the making of this film would have been a real plus, but sadly all that is offered is a nine-minute featurette. As much cast and crew interviews and behind the scenes, as shots from the film, it just doesn't go much further than standard studio PR material. More important, and far longer at around 24 minutes, are actual rap battles put together by the filmmakers to keep the mass of extras actors content during filming. Beyond that is a music tie-in for the soundtracks that takes you to the specific place in the movie for each song, an extremely racy music video for "Superman" from Eminem, the theatrical trailer, and the standard slew of production notes and filmographies. As for the film itself, the sound is a real highlight. Present in 5.1 Dolby Digital and DTS tracks (as well as a 5.1 track in French) the audio on this disc is very powerful. Since so much of the film is made up of rap music segments, the bass really takes control. The low frequencies are deep and rich, but dialogue is never indistinguishable. The image, framed at 2.35:1 and anamorphic (there is a separate pan-and-scan version, and both also come in censored and uncensored editions) is a faithful representation of the theatrical print. The transfer is nearly perfect, at least as it's intended to be. Grain is evident, and purposeful, while colors stand out against the dreary backgrounds of Detroit. Whether you are fan of Eminem or not, this film is the Rocky of rap films, and while lacking in significant supplements, the DVD is a knock-out punch.