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  • Review count
    127
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  • First review
    June 27, 2014
  • Last review
    July 11, 2018
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VandyPrice's Reviews
<< 1 2 3 4 5 ... 13 >>
 
Customer Rating
5 out of 5
5
The End of an Era
on June 7, 2017
Posted by: VandyPrice
from Arkansas
Verified Purchase:Yes
It's disappointing. Tragic, even. All those struggles and all that time invested in trying to make the world a better place and this is what they have to show for it. This is what it's all come to. There is a sweeping sorrow to Hugh Jackman's swan song as The Wolverine, but much like its brutal, bloody, and exceptionally R-rated violence, this tone feels justified and necessary. Necessary not only in the aesthetic sense of what is befitting to Logan's world, but necessary in that tragedy always was the way of the world for Logan AKA James Howlett, so why might his conclusion be spared such tribulations? Fortunately for us, but unfortunately for our titular mutant LOGAN is another tale in which our protagonist is pulled into a conflict in which he bears no responsibility in creating, but that his storied past has somehow served as an influence and thus he is then unwillingly pulled into the scenario. This time things are different though, as before and in the many movies we've seen Jackman portray Wolverine the character has always been reluctant, but ultimately unable to deny his true and selfless heroism. He couldn't help but to care, couldn't help but to stand up for the little guy and what he felt to be right, but in LOGAN Wolverine is a much more broken man than we've ever seen him before. His extended past is beginning to catch up with him and we can see that he's tired of playing this role, he's tired of being the hero, of feeling the responsibility to save the day and that he's essentially forcing himself to not care any longer, but rather focus on the task at hand-a task that sees putting himself and an old friend first. In the midst of all this is the centerpiece that is Jackman's final turn as the adamantium clawed mutant making this grief and misery and pain all the more palpable. Jackman so embodies the character at this point though, it's hard to imagine he has a hard time slipping into even the worn and weathered skin of his alter ego at this stage in the game. And while it is Jackman's (presumably) final turn in his most iconic role that is rightly at the center of what makes LOGAN so emotionally rich and narratively compelling there is plenty going on around him that builds the film up in these ways and make it a genuinely thrilling end of an era.
My Best Buy number: 2220462910
My Best Buy number: 2220462910
I would recommend this to a friend!
+1point
1of 1voted this as helpful.
 
Customer Rating
4 out of 5
4
Worthy Predecessor to Harry Potter
on May 23, 2017
Posted by: VandyPrice
from Arkansas
Verified Purchase:Yes
For what is mostly the first entry in a brand new series Fantastic Beasts and Where to Find Them is also very much a re-boot to the Harry Potter universe that Warner Bros. has surprisingly let remain stagnant for a solid five years. As someone who grew up with the books, who matured as they matured, and grasped the implications of the ideas and themes more as the series went on and explored more complex ideas and themes itself I have to admit to not being too thrilled by the fact Warner Bros. planned on extending the world of Harry Potter to New York City and the 1920's with a film about the guy who...wrote one of Harry and his friends textbooks? Despite the fact J.K. Rowling herself would be penning the screenplay there was still a fair amount of trepidation that whatever this Eddie Redmayne-fronted extension of the magical world might ultimately be it would inevitably be little more than a cash grab. A boardroom mandated blockbuster that would repeat as many of the same beats from the Harry Potter franchise as it could while doubling the amount of merchandise and thus the revenue. And so, here we are-the full swing of the Holiday season in November is in full force and amidst the crowded multiplexes sporting a number of high-profile releases and awards season hopefuls we again find the comfort and ease of knowing that while not exactly Harry, we are once again able to escape to the magical world Rowling has conjured up and that, no matter the protagonist, is something of an unavoidable happiness members of a certain generation can't pass up. For the truth is, after allowing my hesitations to subside and instead becoming excited by the fact Rowling and director David Yates (who made the final four Harry Potter films) reunited for a brand new chapter in the development of the wizarding world and that this chapter of the bigger picture would ultimately add more depth and scope to this world we already believed we knew turns out to be a solidly entertaining thrill ride. Though Fantastic Beasts certainly has its issues and two too many endings it casts a charming enough spell to leave audiences wanting more from the adventures of Mr. Newt Scamander and his inevitable battle with Gellert Grindelwald.
My Best Buy number: 2220462910
My Best Buy number: 2220462910
I would recommend this to a friend!
+1point
1of 1voted this as helpful.
 
Customer Rating
4 out of 5
4
A Whirlwind of a Character Drama
on May 23, 2017
Posted by: VandyPrice
from Arkansas
Verified Purchase:Yes
There's a moment that comes forty-five or so minutes into Jackie where the former first lady boldly strides into her husband's quarters for the first time since his death and proceeds to play what she recalls as his favorite number from the musical, "Camelot," while trying on much of her wardrobe, sitting in chairs, smoking, sitting in rooms, and admiring swatches of material she no doubt had glorious plans for; soaking in all that will soon be gone, the tragedy, the full comprehension of what our titular character is going through just washing over Jackie herself-maybe for the first time since her husband's death with the full force of reality. There is a plethora of delicious dialogue in Noah Oppenheim's screenplay, but it is moments such as this-moments that require no words where director Pablo Larraín excels at cutting to the heart of what motivates our titular character, what allows her to push on with life, and most impressively what gives Jackie the ability of allowing the audience to understand an individual's challenging ideas and decisions in the midst of unfair circumstances that are also undoubtedly the worst days of her life. Jackie follows former first lady Jackie Kennedy (Natalie Portman) in the week following the assassination of her husband in 1963, but that is what is to be expected from a biographical film concerning Mrs. Kennedy. What one might not necessarily be prepared for, but that Jackie certainly delivers, is a closely compacted study of the balance a woman in her (singular) position must pull off when concerning themselves not only with the here and now, but what people will write about her and her husband for decades to come. The ideas of legacy and of shaping that legacy come easier to viewers who obviously know what the myths around the ever-regal Kennedy clan have come to be, but Jackie opens our eyes to the fact such myths have to be constructed in some form or fashion. People like to believe in fairy tales and, for Jackie, it seems the goal was always to purport this facade that embodied the noble and majestic lifestyle of her husband's favorite musical. While Jackie, the film, looks to more or less deconstruct those myths-revealing the thought process and truths behind the scenes-the film also weirdly works to build up that myth even more albeit with more of an eerie tone than that of the mysterious one Jackie might have preferred.
My Best Buy number: 2220462910
My Best Buy number: 2220462910
I would recommend this to a friend!
0points
0of 0voted this as helpful.
 
Customer Rating
4 out of 5
4
Entertaining & Uplifting
on May 23, 2017
Posted by: VandyPrice
from Arkansas
Verified Purchase:Yes
Hidden Figures could have easily been one of those films that plays things right down the middle. Mainstream to the max. A standard structure with a likeable cast delivering an uplifting and equally heartwarming story that inspires us all to live our lives in something of a better fashion and to many ends-it is exactly that. That may sound as if I'm coming out the gate reducing the film to cliché via expectation, but it is how Hidden Figures both uses such identifiers to its advantage without reducing itself to those overused thoughts that make it charming while still routine. Exciting while ultimately a little obvious. It is a film with just the right amount of sass and just the right amount of authenticity to meet somewhere in the middle between a made for TV movie and that of a larger budget biopic, but this time with three central characters rather than just one formerly famous person. What Hidden Figures does so deftly is suggest how well-known its three protagonists should be rather than playing off how well known they clearly aren't. That their accomplishments are far greater than anything any musician or actor might be able to contribute to society, but due to the fact their profession is much less attractive (and their circumstances even less so) than performing on stage they seem fated to go down in history with little to no recognition. As these things tend to go though, Hollywood can't ignore a good underdog story, but when this is true in terms of something as large as the legacy of both the three individuals whose lives this film chronicles as well as all the women and women of color that these three stand to represent, such Hollywood reliabilities aren't always such a bad thing. From the director of the safe, but pleasing St. Vincent comes another competently made piece of cinema that exercises its big heart and sentimental streak in ways that are familiar, but that are executed so well and with such strong characters that it's impossible not to find yourself drawn to the satisfying journey Hidden Figures takes us on. Juggling three individual arcs with multiple facets within each and a scope that deals in the space race of the 1960's Hidden Figures is certainly a much more ambitious project than that of director Theodore Melfi's previous film, but one that he handles with assured grace as in only his second feature Melfi has proven he has the rare talent of crafting movies that are unabashedly feel-good while not allowing the saccharine aspects to overstep their boundaries forcing the story and the characters that craft that story to be as authentic as the beats are familiar.
My Best Buy number: 2220462910
My Best Buy number: 2220462910
I would recommend this to a friend!
0points
0of 0voted this as helpful.
 
Customer Rating
4 out of 5
4
Shyamalan is Back-to-Form
on May 15, 2017
Posted by: VandyPrice
from Arkansas
Verified Purchase:Yes
It's hard to remember, but there was a time when a new M. Night Shyamalan film was an event in and of itself. In 2002, at the ripe old age of thirty-two, there might have been no more hotly anticipated film of the year than the director's fifth film, Signs, but what was only his third feature since defining himself as the auteur he seemed destined to be. Fifteen years later and we are in a very different time and space. After the success of Signs (over $400 million globally on a $72 million budget) the studio system continued to only throw more and more money at the writer/director and increasingly his films became examples of trying too hard to do what his first few features had seemingly done with such ease. After 2008's utterly confounding The Happening it seemed Shyamalan might have given up completely as he then resorted to being a director for hire on projects like The Last Airbender and After Earth, but even in these endeavors he experienced some of the more scathing reviews and certainly some of the worst box office returns of his career. Where was the director to go? What was there to do next that might reinvigorate his career? Did this once glorious storyteller that TIME magazine so famously labeled "The Next Spielberg" even care to continue to put forth effort and/or art into the world or was he done? In one way or another it feels like we haven't had the real Shyamalan with us for some time. That the person he was in his early thirties had been lost to the grueling system and there was no certainty as to whether he'd ever come back. In truth, Shyamalan hasn't taken a break longer than three years in between films since 1998 film Wide Awake and those three years came in between Airbender and After Earth. It was only two years after the nepotism on a spaceship tale that was Will Smith's After Earth that we caught a glimpse of who we thought Shyamalan was and might become again. I didn't write about The Visit, Shyamalan's 2015 feature that experimented with the found footage approach, but it was a deliciously pulpy little thriller that not only provided a signature Shyamalan twist that worked with the rest of the narrative, but melded the humor, the uncertainty, and the tension of the situation in ways that felt organic-as if the marriage of story and image were flowing out of the director like they hadn't in some time and this upward trend in quality only continues with Split. Like The Visit, Split is set in a single location and relays a rather simple story in both interesting and horrific ways. It is a portrait of a character and in being that it explores a subject with multiple personalities it might be something of a twisted self-portrait from a director who was labeled as one thing, attempted to remain that thing until he was told he wasn't good at that thing anymore and then tried something else only to fail thus forcing him to re-invent himself once more.
My Best Buy number: 2220462910
My Best Buy number: 2220462910
I would recommend this to a friend!
+1point
1of 1voted this as helpful.
 
Customer Rating
5 out of 5
5
Bringing Out the Old to Usher in the New
on May 5, 2017
Posted by: VandyPrice
from Arkansas
Verified Purchase:Yes
What is worth more? Where does ambition measure when compared to reflection? Or...how does one know when to quit? When that ambition outweighs or cannot be met by the pure skill or natural talent possessed? La La Land is a movie about Hollywood and the Hollywood system and how it all flows in and out of making and breaking stars, but La La Land is also a movie about dreams and the ugly side of those dreams no one likes to talk about when they tell you to chase them-compromise. Compromise is what must be obtained if one is hoping to have their cake and eat it too. There is compromise in life no matter what professional or personal route one may choose to take, but when dreams are big enough to take you around the world and on extended stays in places away from home that require long or odd hours such as, say, when someone is a musician or film actor-compromises are unavoidable and typically made by the half of the relationship not actively participating in such a career. With La La Land director Damien Chazelle (Whiplash) follows up his Academy Award-nominated feature debut with an out and out musical in the vein of those golden age Hollywood musicals from the forties and early fifties that personified stardom, celebrity, and a certain type of lifestyle most could only hope to obtain. This goes well with the plight of the story as we follow two young aspiring artists-the girl an actress and the guy a jazz pianist-as they navigate modern Los Angeles in hopes of achieving their dreams even if the odds seem stacked against them and despite their closest friends and family not exactly holding out hope for success to find them. The standard structure of boy meets girl combined with that of a few song and dance numbers that pay homage to those aforementioned golden days of Hollywood aren't enough for Chazelle though. The writer/director isn't simply looking to recreate images and feelings afforded him during his youth as he watched Gene Kelly dance across the screen, but more he is interested in exploring the consequences of having such aspirations; the dark side of fame that doesn't necessarily have anything to do with addiction or other harmful habit forming activities, but more with the decisions such individuals have to make without knowing the answer as to what they'll regret more twenty years down the road. Can I be the person I want with the person I want? Is it worth more to make a life as I so desire or with the one I desire? La La Land doesn't prescribe to know the answers to these heavy questions, but its musings on the subject are infectious and reaffirming in that they capture the struggle one in a handful experiencing the film will have come face to face with at some point in their past.
My Best Buy number: 2220462910
My Best Buy number: 2220462910
I would recommend this to a friend!
+1point
1of 1voted this as helpful.
 
Customer Rating
3 out of 5
3
Offers Colorful & Slight Satisfaction
on April 17, 2017
Posted by: VandyPrice
from Arkansas
Verified Purchase:Yes
Didn't see this one until it reached home video, so this was a blind buy. Movies such as this never go to waste as I have a two year-old, but I expected a little more from Illumination at this point. It seems they put their money into The Secret Life of Pets and put SING on the back burner only to rush it out in the shadow of that aforementioned behemoth. This is fine for what it is, don't get me wrong, and the cast is especially charming, but it's as forgettable as can be; not resonating in any way that endears us to these characters efforts..
My Best Buy number: 2220462910
My Best Buy number: 2220462910
I would recommend this to a friend!
0points
0of 0voted this as helpful.
 
Customer Rating
5 out of 5
5
Packs an Emotional Wallop
on April 17, 2017
Posted by: VandyPrice
from Arkansas
Verified Purchase:Yes
Manchester by the Sea is a simple film made from a rather simple story. Meaning that the narrative is straight-forward and wholly based in the everyday lives the majority of us tend to lead. While these factors certainly make it more relatable than say, something along the lines of Allied, which is technically based in reality, but from which we are so far removed at this point it almost feels not of this world. All of this is to say that in our current plane of existence, Manchester by the Sea feels personal. It is a movie that creates an authentic environment from the world in which it exists. It feels lived-in and to that point we are not necessarily welcomed as much into this halfhearted existence that comes to be the subject of the film as we are wedged into the ongoing bad luck that literally and figuratively seems to make up Lee Chandler's (Casey Affleck) life. I find it best to go into most films without much of an idea as to what exactly one might be getting themselves into and while it may be difficult to do that in terms of major blockbusters when living in a world that offers teasers for teaser trailers it is with movies such as Manchester by the Sea where this practice can be exercised to its full effect. And so, I went in more or less blind to what Manchester by the Sea carried in terms of narrative and with only the buzz it garnered out of its Sundance premiere earlier this year to signify that it was one worth watching. No matter if one knows the basic premise or not though, one thing is for certain: one cannot know the whole of the story the film is telling and it is in how director Kenneth Lonergan (Margaret) sets up the present scenario for our characters to operate in and then how he slowly peels back the layers of each of their pasts helping us to understand not only why and how these people have become who they are, but also giving us a glimpse of how far they can go and what the future might hold for them that makes the experience so simultaneously simple yet equally involving. It's a powerful piece of human drama to say the least with bare bones emotions bleeding through on the face of Affleck and every other actor in any significant portion of the movie. Lonergan, as a writer, is clearly interested in digging into the psyches of those who have dealt in tragedy and analyzing the different ways in which we as human beings deal with such surreal, life-altering events. With Manchester by the Sea the writer/director tackles permanent heartbreak to grandly moving results.
My Best Buy number: 2220462910
My Best Buy number: 2220462910
I would recommend this to a friend!
0points
0of 0voted this as helpful.
 
Customer Rating
3 out of 5
3
Entertaining Enough for the Uninitiated
on April 17, 2017
Posted by: VandyPrice
from Arkansas
Verified Purchase:Yes
I won't pretend to know anything about the Assassin's Creed video game series or, for that matter, much about video games in general given the last one I played was probably Crash Bandicoot on the original PlayStation circa 2001. This is to the point that I'm typically indifferent to the idea of video game to film adaptations especially given most tend to be financial failures with the few I've seen being rather forgettable as well. It is with this Assassin's Creed adaptation though that my interest was piqued as not only had it attracted Michael Fassbender to star in another potential franchise, but that it also gave Fassbender cause to recruit his Macbeth director, Justin Kurzel as well as cinematographer Adam Arkapaw, it felt as if there might be a chance to break the mold. Despite the fact Kurzel somewhat shortchanged Shakespeare's story he indisputably made a visually stunning representation of The Bard's play and with Assassin's Creed coming from a medium very much based on the visual storytelling element it seemed as if this was a logical choice and that both Kurzel and Fassbender were very much intent on keeping the same visual style intact. That's what Kurzel does best, that's why Fassbender imagined he would make a good fit. They do, but the fact the visuals the film offers via its flashbacks to Spain in 1492 aren't the highlights of the film speak to how much better this is, but still how much better it could have been. Granted, the sequences in Spain are certainly the most breathtaking in terms of visuals and contain well-paced and seemingly well executed action sequences, but they aren't developed nearly as much character-wise as the other sections of the film. This is all to say there is an interesting premise here. Like I said, going into the film I had no idea what the objective of the game was or even who or what the titular assassins or their creed might be, but as we get to better know Fassbender's Callum Lynch (a character apparently made up specifically for the movie) we come to better terms with this world that three screenwriters have seemingly cobbled together from what I assume are the most interesting parts of the game. Faithful or not though, Assassin's Creed, the film, is an average enough action flick that has a core idea it certainly could have done more with and in more interesting ways, but takes shortcuts around the deeper questions posed by its central premise while hoping to garner enough return so as to potentially explore such questions and ideas in a sequel that will likely never happen.
My Best Buy number: 2220462910
My Best Buy number: 2220462910
No, I would not recommend this to a friend.
+1point
1of 1voted this as helpful.
 
Customer Rating
5 out of 5
5
A Coming of Age Tale for the Ages
on April 17, 2017
Posted by: VandyPrice
from Arkansas
Verified Purchase:Yes
A close relative to those John Hughes movies that captured all the angst and innocence of adolescence, but with the natural edge of the current culture.
My Best Buy number: 2220462910
My Best Buy number: 2220462910
I would recommend this to a friend!
0points
0of 0voted this as helpful.
 
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